By and by comes a facility; some one that can move the mountain and build of it a causeway through the Dismal Swamp, as easily as he carries the hair on his head. Talent is habitual facility of execution. We like people who can do things. The various talents are organic, or each related to that part of nature it is to explore and utilize. Somewhat is to come to the light, and one was created to fetch it, a vessel of honor or of dishonor. 'Tis of instant use in the economy of the Cosmos, and the more armed and biassed for the work the better.

Each of these talents is born to be unfolded and set at work for the use and delight of men, and, in the last result, the man with the talent is the need of mankind; the whole ponderous machinery of the state has really for its aim just to place this skill of each.

But idea and execution are not often entrusted to the same head. There is some incompatibility of good speculation and practice, for example, the failure of monasteries and Brook Farms. To hammer out phalanxes must be done by smiths; as soon as the scholar attempts it he is half a charlatan.

The grasp is the main thing. Most men's minds do not grasp anything. All slips through their fingers, like the paltry brass grooves that in most country houses are used to raise or drop the

curtain, but are made to sell, and will not hold any curtain but cobwebs. I have heard that idiot children are known from their birth by the circumstance that their hands do not close round anything. Webster naturally and always grasps, and therefore retains something from every company and circumstance.

As a talent Dante's imagination is the nearest to hands and feet that we have seen. He clasps

the thought as if it were a tree or a stone, and describes as mathematically. I once found Page the painter modelling his figures in clay, Ruth and Naomi, before he painted them on canvas. Dante, one would say, did the same thing before he wrote

the verses.

But

I have spoken of Intellect constructive. it is in degrees. How it moves when its pace is accelerated! The pace of Nature is so slow. Why not from strength to strength, from miracle to miracle, and not as now with this retardation if Nature had sprained her foot- and plenteous stopping at little stations?

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The difference is obvious enough in Talent between the speed of one man's action above another's. In debate, in legislature, not less in action; in war or in affairs, alike daring and effective. But I speak of it in quite another sense, namely, in the habitual speed of combination of thought.

The same functions which are perfect in our quadrupeds are seen slower performed in palæontology. Many races it cost them to achieve the completion that is now in the life of one. Life had not yet so fierce a glow.

Shakespeare astonishes by his equality in every play, act, scene or line. One would say he must have been a thousand years old when he wrote his first line, so thoroughly is his thought familiar to him, and has such scope and so solidly worded, as if it were already a proverb and not hereafter to become one. Well, that millenium in effect is really only a little acceleration in his process of thought.

But each power is commonly at the expense of some other. When pace is increased it will happen that the control is in a degree lost. Reason does not keep her firm seat. The Delphian prophetess, when the spirit possesses her, is herself a victim. The excess of individualism, when it is not corrected or subordinated to the Supreme Reason, makes that vice which we stigmatize as monotones, men of one idea, or, as the French say, enfant perdu d'une conviction isolée, which give such a comic tinge to all society. Every man has his theory, true, but ridiculously overstated. We are forced to treat a great part of mankind as if they were a little deranged. We detect their mania

and humor it, so that conversation soon becomes a tiresome effort.

You laugh at the monotones, at the men of one idea, but if we look nearly at heroes we may find the same poverty; and perhaps it is not poverty, but power. The secret of power, intellectual or physical, is concentration, and all concentration involves of necessity a certain narrowness. It is a law of nature that he who looks at one thing must turn his eyes from every other thing in the universe. The horse goes better with blinders, and the man for dedication to his task. If you ask what compensation is made for the inevitable narrowness, why, this, that in learning one thing well you learn all things.

Immense is the patience of Nature. You say thought is a penurious rill. Well, we can wait. Nature is immortal, and can wait. Nature having for capital this rill, drop by drop, as it trickles from the rock of ages, this rill and her patience, --she husbands and hives, she forms reservoirs, were it only a phial or a hair-tube that will hold as it were a drop of attar. Not having enough to support all the powers of a race, she thins her stock and raises a few individuals, or only a pair. Not sufficing to feed all the faculties synchronously, she feeds one faculty and starves all the rest. I am familiar with cases, we meet them daily,

wherein the vital force being insufficient for the constitution, everything is neglected that can be spared; some one power fed, all the rest pine. "T is like a withered hand or leg on a Hercules. It makes inconvenience in society, for we presume symmetry, and because they know one thing we defer to them in another, and find them really contemptible. We can't make half a bow and say, I honor and despise you. But Nature can; she whistles with all her winds, and does as she pleases.

It is much to write sentences; it is more to add method and write out the spirit of your life symmetrically. But to arrange general reflections in their natural order, so that I shall have one homogeneous piece,a Lycidas, an Allegro, a Hamlet, a Midsummer Night's Dream, this continuity is for the great. The wonderful men are wonderful hereby. Such concentration of experiences is in every great work, which, though successive in the mind of the master, were primarily combined in his piece.

But what we want is consecutiveness. 'Tis with us a flash of light, then a long darkness, then a flash again. Ah! could we turn these fugitive sparkles into an astronomy of Copernican worlds.

I must think this keen sympathy, this thrill