Manual of the Fine Arts: Critical and Historical

Academy admiration ancient antique Apelles Apollodorus appears architecture artist beauty born called celebrated century character chiaroscuro church Cimabue colossal colour composed composition copy Coreggio cotemporary delight drapery drawing effect Egyptian elegance eminent England Engraver Eupompus excellence executed exhibited expression father feeling feet figures finished genius Giorgione give grace grandeur Grecian Greece Greeks hand harmony head historical honour imagination imitation invention Ital Italian Italy labours landscape Leonardo da Vinci light Lysippus manner marble Masaccio master Michael Angelo mind nature never objects opera original ornaments painter painting palace Pamphylus Paul Veronese Pausias pencil perfect Phidias picture piece Pliny poet poetry Polygnotus portrait practised Praxiteles principles produced Protogenes Raphael represented Reynolds Roman Rome says scene sculpture seems shade Sicyon sketches soul spirit statues style sublime talents taste temple things Timanthes Tintoretto tion Titian Venetian school whole