The Southern Review, Band 5A. E. Miller., 1830 |
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Seite 2
... Greek grammar , although it is employed in a much more extensive sense . The passive and middle voices , in Greek , exhibit the original idea of the verb under certain modifications , or with some additional shades of meaning . So the ...
... Greek grammar , although it is employed in a much more extensive sense . The passive and middle voices , in Greek , exhibit the original idea of the verb under certain modifications , or with some additional shades of meaning . So the ...
Seite 23
... Greek version of the Septuagint , nor in that of the Samaritan , Chaldean , Syriac , or Arabic , is found that expression , " behind him . " What induced the recent translators to add that expression , is the Hebrew word , which ...
... Greek version of the Septuagint , nor in that of the Samaritan , Chaldean , Syriac , or Arabic , is found that expression , " behind him . " What induced the recent translators to add that expression , is the Hebrew word , which ...
Seite 64
... Greeks . The particular effect of them , however , to which we are now adverting , was to make an irrecon- cileable hatred , or at least , perpetual resistance to Islamism , be considered as of the very essence of all true piety . " Ma ...
... Greeks . The particular effect of them , however , to which we are now adverting , was to make an irrecon- cileable hatred , or at least , perpetual resistance to Islamism , be considered as of the very essence of all true piety . " Ma ...
Seite 68
... from Q. Curtius , but still more from a Greek version of a Persic work by the Pseudo - Calisthenes in 1070 . + Edit . 1805 , Vol . i . p . 46 . long separately said or sung by the bards or rhapsodists 68 [ Feb. Early Spanish Ballads .
... from Q. Curtius , but still more from a Greek version of a Persic work by the Pseudo - Calisthenes in 1070 . + Edit . 1805 , Vol . i . p . 46 . long separately said or sung by the bards or rhapsodists 68 [ Feb. Early Spanish Ballads .
Seite 84
... Greek dramatic composition , which were chosen because they approached so nearly to prose , that it was difficult not to let them slip even in ordinary conversa- tion . " Thanks to these Redondillas , " as Bouterwek expres- ses it ...
... Greek dramatic composition , which were chosen because they approached so nearly to prose , that it was difficult not to let them slip even in ordinary conversa- tion . " Thanks to these Redondillas , " as Bouterwek expres- ses it ...
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