Manual of the Fine Arts: Critical and HistoricalA.S. Barnes, 1875 - 476 páginas |
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Página 30
... appear elevated above the barbarous tribes of the north . To Italy , the present sanctuary of the arts , the eye turns with peculiar fondness , as to the trysting - place of the world ; a neutral ground , where all become fellow ...
... appear elevated above the barbarous tribes of the north . To Italy , the present sanctuary of the arts , the eye turns with peculiar fondness , as to the trysting - place of the world ; a neutral ground , where all become fellow ...
Página 38
... appears at first ; for though all agree that its purpose is to imitate nature , yet the vast superiority of many works of art over others equally challenging to be considered as true and faithful repre- sentations of nature , shows that ...
... appears at first ; for though all agree that its purpose is to imitate nature , yet the vast superiority of many works of art over others equally challenging to be considered as true and faithful repre- sentations of nature , shows that ...
Página 47
... appears to such a degree as to assure us it is impossible they should be copies . But we cannot say , on the contrary , when we see a tame , heavy handling , that it is not original merely upon that account , because there have been ...
... appears to such a degree as to assure us it is impossible they should be copies . But we cannot say , on the contrary , when we see a tame , heavy handling , that it is not original merely upon that account , because there have been ...
Página 49
... appears like a large picture , when seen through a concave lens . Mosaic , or Musaic , as it is sometimes called , is a kind of painting executed with small pieces of glass , or wood , pebbles , enamel , & c . , fixed upon any substance ...
... appears like a large picture , when seen through a concave lens . Mosaic , or Musaic , as it is sometimes called , is a kind of painting executed with small pieces of glass , or wood , pebbles , enamel , & c . , fixed upon any substance ...
Página 54
... appears to have been the first who employed various colours in his pictures . SECOND PERIOD . There seems to have been a great gap or chasm in the history of painting after the time of Bularchus , and the next allusion to the art seems ...
... appears to have been the first who employed various colours in his pictures . SECOND PERIOD . There seems to have been a great gap or chasm in the history of painting after the time of Bularchus , and the next allusion to the art seems ...
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Termos e frases comuns
Academy admiration alto-relievo ancient antique Apelles Apollodorus appears architecture artist beauty born called celebrated century character chiaroscuro church Cimabue colossal colour columns composed composition copy Coreggio delight distinguished Doric order drapery drawing effect Egyptian elegance eminent England Engraver entablature Etruscan excellence executed exhibited expression father feeling feet figures finished gave genius Giorgione grace grandeur Grecian Greece Greeks hand harmony head historical honour imagination imitation invention Ital Italian Italy king landscape light look Lysippus manner marble masters merit Michael Angelo mind modern nature never objects opera original ornament painter painting palace Paul Veronese pencil perfect Phidias picture poet poetry portrait Praxiteles principles produced Pythagoras Raphael Rembrandt represented Reynolds Roman Rome says scene sculpture seems Sicyon sketches spirit statues style sublime talents taste temple Terpander thing Timanthes Tintoretto tion Titian touch Venetian school West whole
Passagens mais conhecidas
Página 307 - Peace, peace ! he is not dead, he doth not sleep ! He hath awakened from the dream of life. 'Tis we who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings.
Página 465 - Thou'dst meet the bear i' the mouth. When the mind's free The body's delicate; the tempest in my mind Doth from my senses take all feeling else Save what beats there.
Página 23 - Delightful Scenes, whether in Nature, Painting, or Poetry, have a kindly Influence on the Body, as well as the Mind, and not only serve to clear and brighten the Imagination, but are able to disperse Grief and Melancholy, and to set the Animal Spirits in pleasing and agreeable Motions.
Página 26 - own exceeding great reward;' it has soothed my afflictions; it has multiplied and refined my enjoyments ; it has endeared solitude ; and it has given me the habit of wishing to discover the good and the beautiful in all that meets and surrounds me.
Página 25 - The floating clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see, Even in the motions of the Storm, Grace that shall mould the Maiden's form By silent sympathy.
Página 437 - Wherefore didst thou flee away secretly, and steal away from me; and didst not tell me, that I might have sent thee away with mirth, and with songs, with tabret, and with harp ? 28 And hast not suffered me to kiss my sons and my daughters?
Página 465 - But I will punish home: No, I will weep no more. In such a night To shut me out! Pour on; I will endure. In such a night as this! O Regan, Goneril! Your old kind father, whose frank heart gave all, — O!
Página 79 - He first introduced large drapery, flowing in an easy and natural manner : indeed he appears to be the first who discovered the path that leads to every excellence to which the Art afterwards arrived, and may therefore be justly considered as one of the Great Fathers of modern Art.
Página 124 - Lorrain finished more minutely, as becomes a Professor in any particular branch, yet there is such an airiness and facility in the landscapes of Rubens, that a painter would as soon wish to be the author of them, as those of Claude, or any other artist whatever.
Página 467 - I wished," says he, speaking of the opera Alceste, " to confine music to its true province, that of seconding poetry, by strengthening the expression of the sentiments and the interest of the situations, without interrupting the action and weakening it by superfluous ornament.