The Orchestration of the Arts — A Creative Symbiosis of Existential Powers: The Vibrating Interplay of Sound, Color, Image, Movement, Rhythm, Fragrance, Word, TouchMarlies Kronegger Springer Science & Business Media, 30.06.2000 - 475 Seiten Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the trans formation of a particular society and its mode of life. |
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... lines of the human creativity : literature , history , ..and encompassing the distinctive and yet symbiotically inclined music , song , painting , opera , drama , stage decor , architecture , and ornament . Papers by : L. Kimmel , S ...
... lines of the human creativity : literature , history , ..and encompassing the distinctive and yet symbiotically inclined music , song , painting , opera , drama , stage decor , architecture , and ornament . Papers by : L. Kimmel , S ...
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Inhalt
II | |
IV | 17 |
VI | 53 |
VII | 65 |
VIII | 75 |
X | 89 |
XI | 97 |
XII | 99 |
XXVI | 275 |
XXVIII | 283 |
XXIX | 293 |
XXXI | 305 |
XXXII | 315 |
XXXIII | 325 |
XXXIV | 343 |
XXXV | 351 |
XIII | 113 |
XIV | 135 |
XV | 149 |
XVI | 165 |
XVII | 195 |
XVIII | 197 |
XIX | 209 |
XXI | 241 |
XXIII | 257 |
XXV | 265 |
XXXVI | 363 |
XXXVII | 365 |
XXXVIII | 379 |
XLII | 391 |
XLIII | 401 |
XLV | 417 |
XLVI | 437 |
469 | |
Andere Ausgaben - Alle anzeigen
The Orchestration of the Arts — A Creative Symbiosis of Existential Powers ... M. Kronegger Eingeschränkte Leseprobe - 2013 |
The Orchestration of the Arts - a Creative Symbiosis of Existential Powers M. Kronegger Keine Leseprobe verfügbar - 2014 |
The Orchestration of the Arts — A Creative Symbiosis of Existential Powers ... M. Kronegger Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
2000 Kluwer Academic aesthetic emotion Analecta Husserliana LXIII angels architecture artist Baroque beauty body century Cesário Verde character Claude Rostand cognition color composer composition context create creative culture dance depicted drama Dubuffet elements Émile Bernard example experience expression eyes Façade Fautrier feeling figures Francis Ponge Francis Poulenc French Grünewald harmony Hindemith human Husserliana Ibid idea ISBN Isenheim Altarpiece Jean Dubuffet Jean Fautrier Kluwer Academic Publishers Kronegger language Les Six literary literature Louis Louis Sullivan lyric Mathis meaning metaphor Millay mind movement musicians nature opera orchestration ornament painter painting panel Paris peinture perception performance Peter Quince Phenomenology philosophy piano Pierre Bernac play poem poet poetic poetry Ponge refers reflection rhythm Saint Antony scene sense Shérazade sonata form song soul sound spirit Stevens structure style suggests Sullivan symbolic tactile theme tonal tout Tymieniecka University vision visual voice words Wordsworth writing zarzuela