Works ...Amer. Book Company, 1910 |
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Seite 11
... original form of a passage together with the revised version the only such illustrations of the dramatist " in the workshop " that are to be found in all his works . Elsewhere we have examples of early and later composition in different ...
... original form of a passage together with the revised version the only such illustrations of the dramatist " in the workshop " that are to be found in all his works . Elsewhere we have examples of early and later composition in different ...
Seite 14
... original text are unques- tionably retained in the revised version . In the first two passages quoted the correction , as Herford says , " has merely served to heighten the vigour of the phras- ing ; " but the third " throws the ...
... original text are unques- tionably retained in the revised version . In the first two passages quoted the correction , as Herford says , " has merely served to heighten the vigour of the phras- ing ; " but the third " throws the ...
Seite 15
... original with Shakespeare . Dowden remarks : " The play is precisely such a one as a clever young man might ima- gine , who had come lately from the country - with its ' daisies pied and violets blue , ' its ' merry larks , ' its ...
... original with Shakespeare . Dowden remarks : " The play is precisely such a one as a clever young man might ima- gine , who had come lately from the country - with its ' daisies pied and violets blue , ' its ' merry larks , ' its ...
Seite 23
... taking the author's own maturer style of execution in that way as the standard . There was , therefore , no very great effort of original invention in either respect ; but whatever there is , either of Introduction 23.
... taking the author's own maturer style of execution in that way as the standard . There was , therefore , no very great effort of original invention in either respect ; but whatever there is , either of Introduction 23.
Seite 24
... original and in- ventive . Although the Pedant and the Braggart are characters familiar to the old Italian stage , yet if the dramatist derived the general notion of such person- ages , as fitted for stage effect , from any Italian ...
... original and in- ventive . Although the Pedant and the Braggart are characters familiar to the old Italian stage , yet if the dramatist derived the general notion of such person- ages , as fitted for stage effect , from any Italian ...
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Häufige Begriffe und Wortgruppen
1st quarto accented affected allusion AMERICAN BOOK COMPANY Aquitaine Armado beauty Biron Boyet called Cambridge editors comedy Costard courtesy critics cuckoo dance dissyllable doth Dull Dumain Dyce early eds Exeunt Exit eyes face fair favour Florio fool forsworn French give grace hath hear heart heaven Hector Herford Holofernes horse humour instance Jaquenetta John Florio Johnson Judas Katherine King King of Navarre l'envoy lady letter light Longaville lord LOVE'S LABOUR Love's Labour's Lost madam Malone Maria master meaning mock Monarcho Moth Navarre never Nine Worthies noun oath passage pedant play Pompey praise present Princess Priscian prose rhyme Rich Rosaline sake salve SCENE Schmidt sense Shakespeare Sir Nathaniel Sonn sonnet speak Steevens quotes sweet sworn syllable Temp thee Theobald thou thrasonical tongue verse wench word Worthies
Beliebte Passagen
Seite 96 - But love, first learned in a lady's eyes, Lives not alone immured in the brain, But with the motion of all elements Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices. It adds a precious seeing to the eye ; A lover's eyes will gaze an eagle blind ; A lover's ear will hear the lowest sound, When the suspicious head of theft is stopp'd : Love's feeling is more soft, and sensible, Than are the tender horns of cockled snails: Love's...
Seite 143 - When all aloud the wind doth blow, And coughing drowns the parson's saw, And birds sit brooding in the snow, And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, Tu-whit; Tu-who, a merry note, While greasy Joan doth keel the pot.
Seite 97 - From women's eyes this doctrine I derive: They sparkle still the right Promethean fire; They are the books, the arts, the academes, That show, contain, and nourish all the world; Else, none at all in aught proves excellent: Then fools you were these women to forswear; Or, keeping what is sworn, you will prove fools.
Seite 32 - Save base authority from others' books. • These earthly godfathers of heaven's lights, That give a name to every fixed star, Have no more profit of their shining nights, Than those that walk, and wot not what they are.
Seite 97 - For valour, is not Love a Hercules, Still climbing trees in the Hesperides? Subtle as Sphinx; as sweet and musical As bright Apollo's lute, strung with his hair. And when Love speaks, the voice of all the gods Make heaven drowsy with the harmony.
Seite 51 - Biron they call him; but a merrier man, Within the limit of becoming mirth, I never spent an hour's talk withal : His eye begets occasion for his wit; For every object that the one doth catch, The other turns to a mirth-moving jest ; Which his fair tongue (conceit's expositor,) Delivers in such apt and gracious words, That aged ears play truant at his tales, And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Seite 220 - I' the commonwealth I would by contraries Execute all things ; for no kind of traffic Would I admit ; no name of magistrate ; Letters should not be known : riches, poverty, And use of service, none...
Seite 12 - Subtle as sphinx ; as sweet, and musical, As bright Apollo's lute, strung with his hair; And, when love speaks, the voice of all the gods Makes heaven drowsy with the harmony. Never durst poet touch a pen to write, Until his ink were temper'd with love's sighs...
Seite 143 - When shepherds pipe on oaten straws And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks The cuckoo then, on every tree, Mocks married men; for thus sings he, Cuckoo; Cuckoo, cuckoo: O word of fear, Unpleasing to a married ear!
Seite 143 - Tu-who, a merry note, While greasy Joan doth keel the pot. When all aloud the wind doth blow And coughing drowns the parson's saw And birds sit brooding in the snow And Marian's nose looks red and raw, When roasted crabs hiss in the bowl, Then nightly sings the staring owl, Tu-whit; Tu-who...