Radical Theatricality: Jongleuresque Performance on the Early Spanish StageRadical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance -rather than on the kind of literary dialogue between characters traditionally associated with drama- Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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William Quinn and Audley Hall begin their book Jongleur , for instance , by defining their object of study as nothing more than a “ professional reciter of extended narrative poetry in medieval England ” ( 1 ) .
William Quinn and Audley Hall begin their book Jongleur , for instance , by defining their object of study as nothing more than a “ professional reciter of extended narrative poetry in medieval England ” ( 1 ) .
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We should not marvel , then , that when traveling performers set up their performance spaces in the various towns and villages of medieval Europe they supplemented their simple stages with as few material elements as possible ; limiting ...
We should not marvel , then , that when traveling performers set up their performance spaces in the various towns and villages of medieval Europe they supplemented their simple stages with as few material elements as possible ; limiting ...
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One of the major dilemmas we encounter in mapping the medieval jongleuresque performance tradition — one of the reasons we have traditionally had such difficulty in connecting early modern actors with their ancient and medieval ...
One of the major dilemmas we encounter in mapping the medieval jongleuresque performance tradition — one of the reasons we have traditionally had such difficulty in connecting early modern actors with their ancient and medieval ...
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Conteúdo
Introduction | 1 |
Chapter One Reinventing Thespis | 13 |
Chapter Two Singers of Tales on Simple Stages | 50 |
Direitos autorais | |
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Outras edições - Ver todos
Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Visualização parcial - 2007 |
Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Visualização de trechos - 2007 |
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activities actors actually Ages ancient argues attempt audience ballad become begins calls century Cervantes chapter characters classical clearly comedia complex considered continued corral course create critical culture demonstrates dialogue discussion drama early modern elements entire established event examined exist fact figure finally formers function important instance Italy jongleur jongleuresque performance kind least less literary literature Lope mance mean medieval move myth narrative narrator notes occurs once oral original particular performance tradition perhaps play poetics popular precisely present production prologue puppet question reader remains represent ritual romance Rueda scholars seen separation simple simple stage sing singer song space Spanish Spanish stage specific spectators stage story street telling term theater theatrical theory Thespis tion various voice Western written