Radical Theatricality: Jongleuresque Performance on the Early Spanish StageRadical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance -rather than on the kind of literary dialogue between characters traditionally associated with drama- Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Thespis and the Jongleur I return then to Thespis — to my initial myth of origins — if only to deconstruct him . But in doing so , I do not wish to imply that I reject the idea that the City Dionysia and the ancient Greek dramas grew ...
Thespis and the Jongleur I return then to Thespis — to my initial myth of origins — if only to deconstruct him . But in doing so , I do not wish to imply that I reject the idea that the City Dionysia and the ancient Greek dramas grew ...
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In one of his more compelling arguments , Else closely examines the etymology of the name “ Thespis ” and suggests that the appellation itself is actually a nickname for either “ Thespesios ” or “ Thespiôidos , ” meaning “ divinely ...
In one of his more compelling arguments , Else closely examines the etymology of the name “ Thespis ” and suggests that the appellation itself is actually a nickname for either “ Thespesios ” or “ Thespiôidos , ” meaning “ divinely ...
Página 175
Thespis. myth , Cervantes implicitly compares the development of the complex national theater of Spain with that of ancient Greece , both of which he implies came from similarly simple origins and both of which developed along similar ...
Thespis. myth , Cervantes implicitly compares the development of the complex national theater of Spain with that of ancient Greece , both of which he implies came from similarly simple origins and both of which developed along similar ...
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Conteúdo
Introduction | 1 |
Chapter One Reinventing Thespis | 13 |
Chapter Two Singers of Tales on Simple Stages | 50 |
Direitos autorais | |
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Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Visualização parcial - 2007 |
Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Visualização de trechos - 2007 |
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activities actors actually Ages ancient argues attempt audience ballad become begins calls century Cervantes chapter characters classical clearly comedia complex considered continued corral course create critical culture demonstrates dialogue discussion drama early modern elements entire established event examined exist fact figure finally formers function important instance Italy jongleur jongleuresque performance kind least less literary literature Lope mance mean medieval move myth narrative narrator notes occurs once oral original particular performance tradition perhaps play poetics popular precisely present production prologue puppet question reader remains represent ritual romance Rueda scholars seen separation simple simple stage sing singer song space Spanish Spanish stage specific spectators stage story street telling term theater theatrical theory Thespis tion various voice Western written
Informações bibliográficas
| Título | Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Volume 39 de Purdue studies in Romance literatures |
| Autor | Bruce R. Burningham |
| Edição | ilustrada |
| Editora | Purdue University Press, 2007 |
| Original de | Universidade da Califórnia |
| Digitalizado | 28 abr. 2008 |
| ISBN | 1557534411, 9781557534415 |
| Num. págs. | 260 páginas |
| Exportar citação | BiBTeX EndNote RefMan |