Radical Theatricality: Jongleuresque Performance on the Early Spanish StageRadical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance -rather than on the kind of literary dialogue between characters traditionally associated with drama- Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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comedia , Cervantes establishes a temporal point of departure for early modern Spain's emergent national theater — the single moment of transition — and traces its development to his own day by focusing on where the players performed ...
comedia , Cervantes establishes a temporal point of departure for early modern Spain's emergent national theater — the single moment of transition — and traces its development to his own day by focusing on where the players performed ...
Página 176
Twice during his history Cervantes mentions the performance of romances once explicitly and once implicitly . I would like to examine each separately . El adorno del teatro era una manta vieja , tirada con dos cordeles de una parte a ...
Twice during his history Cervantes mentions the performance of romances once explicitly and once implicitly . I would like to examine each separately . El adorno del teatro era una manta vieja , tirada con dos cordeles de una parte a ...
Página 179
Where Cervantes finds primacy , Timoneda finds belatedness . For Cervantes , Rueda is a great figure because he invents a performance mode that pushes earlier performance modes into obscurity and inferiority ; for Timoneda , performance ...
Where Cervantes finds primacy , Timoneda finds belatedness . For Cervantes , Rueda is a great figure because he invents a performance mode that pushes earlier performance modes into obscurity and inferiority ; for Timoneda , performance ...
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Conteúdo
Introduction | 1 |
Chapter One Reinventing Thespis | 13 |
Chapter Two Singers of Tales on Simple Stages | 50 |
Direitos autorais | |
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Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Visualização parcial - 2007 |
Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Bruce R. Burningham Visualização de trechos - 2007 |
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activities actors actually Ages ancient argues attempt audience ballad become begins calls century Cervantes chapter characters classical clearly comedia complex considered continued corral course create critical culture demonstrates dialogue discussion drama early modern elements entire established event examined exist fact figure finally formers function important instance Italy jongleur jongleuresque performance kind least less literary literature Lope mance mean medieval move myth narrative narrator notes occurs once oral original particular performance tradition perhaps play poetics popular precisely present production prologue puppet question reader remains represent ritual romance Rueda scholars seen separation simple simple stage sing singer song space Spanish Spanish stage specific spectators stage story street telling term theater theatrical theory Thespis tion various voice Western written
Informações bibliográficas
| Título | Radical Theatricality: Jongleuresque Performance on the Early Spanish Stage Volume 39 de Purdue studies in Romance literatures |
| Autor | Bruce R. Burningham |
| Edição | ilustrada |
| Editora | Purdue University Press, 2007 |
| Original de | Universidade da Califórnia |
| Digitalizado | 28 abr. 2008 |
| ISBN | 1557534411, 9781557534415 |
| Num. págs. | 260 páginas |
| Exportar citação | BiBTeX EndNote RefMan |