Gender in Modernism: New Geographies, Complex IntersectionsBonnie Kime Scott University of Illinois Press, 2007 - 872 páginas Gender in Modernism, conceived as a sequel to the now-classic volume The Gender of Modernism, selects the best from the fifteen years of feminist literary and modernist scholarship that has appeared since the original's publication. Its fresh and diverse texts examine new themes and reflect today's broader, more inclusive understanding of modernism. The collection's modernist works have been grouped into twenty-one thematic sections, with theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in new directions. The selections enhance our understanding of the complex intersections of gender with a large array of social identifications, including global location, ideas of race, passing, the queering of sexualities, medicine, and experiences of trauma and war. It sees continental modernism in a different light, and moves on to colonial and postcolonial sites. less-studied genres of modernism, including writers on the left, suffragists, authors of manifestos, mediums, authors dismissed as sentimental, artists, dancers, dramatists, and filmmakers. Gender in Modernism will quickly move from resource to springboard, furthering modernist study well into the twenty-first century. Contributors include Tuzyline Jita Allan, Ann Ardis, Nancy Berke, Julia Briggs, Pamela L. Caughie, Mary Chapman, Suzanne Clark, Patrick Collier, Diane F. Gillespie, Barbara Green, Leslie Kathleen Hankins, Suzette A. Henke, Katherine Kelly, Colleen Lamos, Bette London, Janet Lyon, Jayne Marek, Sonita Sarker, Carol Shloss, Susan Squier, Claire Tylee, and Gay Wachman. |
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Página ix
... The Garden of Eden / 419 Illustrations: Mrs. Credit of Philadelphia, Pa., from The Messenger / 376 Karl Arnold, “Lotte am Scheidewege” (Lotte at the Crossroads) / 377 We-Wha Weaving / 378 D. H. Lawrence painting, Fight with.
... The Garden of Eden / 419 Illustrations: Mrs. Credit of Philadelphia, Pa., from The Messenger / 376 Karl Arnold, “Lotte am Scheidewege” (Lotte at the Crossroads) / 377 We-Wha Weaving / 378 D. H. Lawrence painting, Fight with.
Página x
... painting, Fight with an Amazon / 383 12. modernism, gender, and africa Introduced and Selected by Tuzyline Jita Allan / 427 W. E. B. Du Bois The African Roots of War / 438 Alain Locke Afro-Americans and West Africans: A New ...
... painting, Fight with an Amazon / 383 12. modernism, gender, and africa Introduced and Selected by Tuzyline Jita Allan / 427 W. E. B. Du Bois The African Roots of War / 438 Alain Locke Afro-Americans and West Africans: A New ...
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... / 759 20. the gender of modern/ist painting Introduced and Selected by Diane F. Gillespie / 765 Vanessa Bell From “Lecture Given at Leighton Park School” / 778 Marie Laurencin Men's Genius Intimidates Me (trans. Alita Kelley) /
... / 759 20. the gender of modern/ist painting Introduced and Selected by Diane F. Gillespie / 765 Vanessa Bell From “Lecture Given at Leighton Park School” / 778 Marie Laurencin Men's Genius Intimidates Me (trans. Alita Kelley) /
Página xiii
... Painter and Her Model, 1921 / 786 Sonia Delaunay-Terk, Electric Prisms, 1914 / 790 Eileen Agar, The Autobiography of an Embryo, 1933/34 / 793 Winifred Nicholson, Window-sill, Lugano, 1923 / 797 Emily Carr, Totem Mother, Kitwancool, 1928 ...
... Painter and Her Model, 1921 / 786 Sonia Delaunay-Terk, Electric Prisms, 1914 / 790 Eileen Agar, The Autobiography of an Embryo, 1933/34 / 793 Winifred Nicholson, Window-sill, Lugano, 1923 / 797 Emily Carr, Totem Mother, Kitwancool, 1928 ...
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Gender in Modernism: New Geographies, Complex Intersections Bonnie Kime Scott Prévia não disponível - 2007 |
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Africa American appeared artists asked beauty become believe body called century chapter cinema colored comes course critical culture dance early English experience expression eyes face fact feel female feminist friends gender girl give hand head human included interest Italy kind lawyer letter light literary living London look means mind modern modernist move movement nature Negro never night notes once Paris passing perhaps play poem poet poetry political present Press published Review seems seen sense sexual social speak story suffrage suggest talk tell thing thought tion turn University University Press voice woman women Woolf writing York young woman
Referências a este livro
A Companion to Modernist Literature and Culture David Bradshaw,Kevin J. H. Dettmar Prévia não disponível - 2006 |