Gender in Modernism: New Geographies, Complex Intersections
Gender in Modernism, conceived as a sequel to the now-classic volume The Gender of Modernism, selects the best from the fifteen years of feminist literary and modernist scholarship that has appeared since the original's publication. Its fresh and diverse texts examine new themes and reflect today's broader, more inclusive understanding of modernism. The collection's modernist works have been grouped into twenty-one thematic sections, with theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in new directions. The selections enhance our understanding of the complex intersections of gender with a large array of social identifications, including global location, ideas of race, passing, the queering of sexualities, medicine, and experiences of trauma and war. It sees continental modernism in a different light, and moves on to colonial and postcolonial sites. less-studied genres of modernism, including writers on the left, suffragists, authors of manifestos, mediums, authors dismissed as sentimental, artists, dancers, dramatists, and filmmakers. Gender in Modernism will quickly move from resource to springboard, furthering modernist study well into the twenty-first century. Contributors include Tuzyline Jita Allan, Ann Ardis, Nancy Berke, Julia Briggs, Pamela L. Caughie, Mary Chapman, Suzanne Clark, Patrick Collier, Diane F. Gillespie, Barbara Green, Leslie Kathleen Hankins, Suzette A. Henke, Katherine Kelly, Colleen Lamos, Bette London, Janet Lyon, Jayne Marek, Sonita Sarker, Carol Shloss, Susan Squier, Claire Tylee, and Gay Wachman.
O que estão dizendo - Escrever uma resenha
LibraryThing ReviewComentário do usuário - John_Thorne - LibraryThing
A college text, this work is significant in that it was the first time Hope Mirrlees' poem Paris was reprinted in its original form and text. Ler resenha completa
Outras edições - Visualizar todos
aesthetic Africa American artists asked Beatrice Hastings beauty body called century chapter cinema colored critical culture dance ectogenesis editor Emmy Hennings emotional English essay ethel eyes face Feda feel female feminine Feminism feminist film gender girl hand heegan Hope Mirrlees horace human husband Indian interest Isadora Duncan lady Lady Troubridge lawyer for defense lawyer for prosecution lesbian Lily literary literature living London look male man’s mediumship mind modern modernist mother movement Negro never night novel one’s Oscar Wilde painting Paris play poem poet poetry political published race Review Scripts seems sexual smile social story suffrage Suffragettes Sylvia Townsend Warner talk tell there’s thing thought tion Travers Smith University Press Valentine Ackland Virginia Woolf voice vote Winifred Nicholson women writers words writing York young woman