Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 21
... term semi- dramatic to describe them . Our use of this liminal term , how- ever , is somewhat misapplied insofar as it attempts to mediate not between two contiguous elements of a single continuum , but between interrelated components ...
... term semi- dramatic to describe them . Our use of this liminal term , how- ever , is somewhat misapplied insofar as it attempts to mediate not between two contiguous elements of a single continuum , but between interrelated components ...
Página 44
... term shaman . William Willeford , for his part , uses the term fool in his study of clowns and jesters and their audiences . Lord , as we have said , famously referred to this per- former as the " singer of tales . " Following Menéndez ...
... term shaman . William Willeford , for his part , uses the term fool in his study of clowns and jesters and their audiences . Lord , as we have said , famously referred to this per- former as the " singer of tales . " Following Menéndez ...
Página 221
... term from a book entitled The Genius of the Early English Theater ( Barnet et al . ) in order to cover all medieval and early modern theatrical activity in Spain and Spanish America . In other words , the phrase " early Spanish stage ...
... term from a book entitled The Genius of the Early English Theater ( Barnet et al . ) in order to cover all medieval and early modern theatrical activity in Spain and Spanish America . In other words , the phrase " early Spanish stage ...
Conteúdo
Introduction | 1 |
Chapter One Reinventing Thespis | 13 |
Chapter Two Singers of Tales on Simple Stages | 50 |
Direitos autorais | |
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Termos e frases comuns
activities actors actually Ages ancient argues attempt audience ballad become begins calls century Cervantes chapter characters classical clearly comedia complex considered continued corral course create critical culture demonstrates dialogue discussion drama early modern elements entire established event examined exist fact figure finally formers function important instance Italy jongleur jongleuresque performance kind least less literary literature Lope Madrid mance mean medieval move myth narrative narrator notes occurs oral original particular performance tradition perhaps play poetics popular precisely present production prologue puppet question reader remains represent ritual romance Rueda scholars seen separation simple simple stage sing singer song space Spanish Spanish stage specific spectators stage story street teatro telling term theater theatrical theory Thespis tion various voice Western written