Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
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Página 30
... telling " -will probably go unnoticed ( at least for a time ) precisely because the spectators will be so caught up in the story that they will fail to see the actor's functioning as a stage sign . The actor's stellar performance as an ...
... telling " -will probably go unnoticed ( at least for a time ) precisely because the spectators will be so caught up in the story that they will fail to see the actor's functioning as a stage sign . The actor's stellar performance as an ...
Página 121
... telling ape and puppet show . At this , the innkeeper , who is undoubtedly familiar with the poetics of jongleuresque perfor- mance involving a total spectacle composed of multiple performance texts , gleefully announces the arrival of ...
... telling ape and puppet show . At this , the innkeeper , who is undoubtedly familiar with the poetics of jongleuresque perfor- mance involving a total spectacle composed of multiple performance texts , gleefully announces the arrival of ...
Página 126
... telling ape feigns human speech by pretending to whisper into the ear of Maese Pedro who pretends to under- stand him and then pretends to relay the information to his au- dience . And , as in the episode in which the two aldermen ...
... telling ape feigns human speech by pretending to whisper into the ear of Maese Pedro who pretends to under- stand him and then pretends to relay the information to his au- dience . And , as in the episode in which the two aldermen ...
Conteúdo
Introduction | 1 |
Chapter One Reinventing Thespis | 13 |
Chapter Two Singers of Tales on Simple Stages | 50 |
Direitos autorais | |
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activities actors actually Ages ancient argues attempt audience ballad become begins calls century Cervantes chapter characters classical clearly comedia complex considered continued corral course create critical culture demonstrates dialogue discussion drama early modern elements entire established event examined exist fact figure finally formers function important instance Italy jongleur jongleuresque performance kind least less literary literature Lope Madrid mance mean medieval move myth narrative narrator notes occurs oral original particular performance tradition perhaps play poetics popular precisely present production prologue puppet question reader remains represent ritual romance Rueda scholars seen separation simple simple stage sing singer song space Spanish Spanish stage specific spectators stage story street teatro telling term theater theatrical theory Thespis tion various voice Western written