Radical Theatricality: Jongleuresque Performance on the Early Spanish StagePurdue University Press, 2007 - 260 páginas Radical Theatricality argues that our narrow search for extant medieval play scripts depends entirely on a definition of theater far more literary than performative. This literary definition pushes aside some of our best evidence of Spain's medieval performance traditions precisely because this evidence is considered either intangible or "un-dramatic" (that is, monologic). By focusing on the dialogic relationship that inherently exists between performer and spectator in performance--rather than on the kind of literary dialogue between characters traditionally associated with drama--Radical Theatricality diachronically examines the performative poetics of the jongleuresque tradition (broadly defined to encompass such disparate performers as ancient Greek rhapsodes and contemporary Nobel Laureate Dario Fo) and synchronically traces its performative impact on the Spanish theater of the sixteenth and seventeenth centuries. |
De dentro do livro
Resultados 1-3 de 41
Página 96
... ( Cervantes 43 ) . But it is also true that this picaresque cofradía — with Monipodio as its commanding im- presario - is very much like the acting troupe for which Pablos himself auditions in El Buscón ( although by demonstrating a ...
... ( Cervantes 43 ) . But it is also true that this picaresque cofradía — with Monipodio as its commanding im- presario - is very much like the acting troupe for which Pablos himself auditions in El Buscón ( although by demonstrating a ...
Página 144
... Cervantes , as an edifice , can trace its origins precisely to October 13 , 1601 , the date on which the governing council of Alcalá ( La Junta de Ayuntamiento ) voted in favor of a proposal put forth by Francisco Sánchez , a local ...
... Cervantes , as an edifice , can trace its origins precisely to October 13 , 1601 , the date on which the governing council of Alcalá ( La Junta de Ayuntamiento ) voted in favor of a proposal put forth by Francisco Sánchez , a local ...
Página 173
... Cervantes transforms Rueda from just one among many sixteenth - century actor / directors into the founder of what del Río will later call Spain's " teatro ambulante " ( 1 : 354 ) . That there may have been other companies like Rueda's ...
... Cervantes transforms Rueda from just one among many sixteenth - century actor / directors into the founder of what del Río will later call Spain's " teatro ambulante " ( 1 : 354 ) . That there may have been other companies like Rueda's ...
Conteúdo
Introduction | 1 |
Chapter One Reinventing Thespis | 13 |
Chapter Two Singers of Tales on Simple Stages | 50 |
Direitos autorais | |
7 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
activities actors actually Ages ancient argues attempt audience ballad become begins calls century Cervantes chapter characters classical clearly comedia complex considered continued corral course create critical culture demonstrates dialogue discussion drama early modern elements entire established event examined exist fact figure finally formers function important instance Italy jongleur jongleuresque performance kind least less literary literature Lope Madrid mance mean medieval move myth narrative narrator notes occurs oral original particular performance tradition perhaps play poetics popular precisely present production prologue puppet question reader remains represent ritual romance Rueda scholars seen separation simple simple stage sing singer song space Spanish Spanish stage specific spectators stage story street teatro telling term theater theatrical theory Thespis tion various voice Western written