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Shakspeare's Dramatic Art: History and Character of Shakspeare's Plays, Volume 1
Visualização completa - 1906
Shakespeare's Dramatic Art: History and Character of Shakespeare's ..., Volume 2
Visualização completa - 1891
Shak Speare's Dramatic Art: History and Character of Shak Speare's ..., Volume 1
Visualização completa - 1876
according accordingly action actual affected already appears beauty become brought called character circumstances closely comedy comic composition connection consider contrast course critics death doubt drama Dream Duke edition elements English entirely equally especially evidently exhibited existence expressed external fact fall fantastic feeling followed give given hand hence Henry historical human idea ideal individual intention interest internal King latter less light manner means mere merely mind moral motives nature nevertheless object opinion original passages perhaps piece play poet poetical poetry possess present principle printed probably proved reality reason regards relations represented Richard scene sense Shak Shakspeare Shakspeare's shows side significance spirit stage stand style supposed taken things thought tragedy true truth turns whole wholly wish written
Página 425 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily: when he describes anything, you more than see it, you feel it too.
Página 336 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Página 62 - Ye elves of hills, brooks, standing lakes, and groves ; And ye that on the sands with printless foot Do chase the ebbing Neptune...
Página 62 - twixt the green sea and the azur'd vault Set roaring war : to the dread rattling thunder Have I given fire, and rifted Jove's stout oak With his own bolt...
Página 422 - What needs my Shakespeare for his honoured bones The labour of an age in piled stones ? Or that his hallowed reliques should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What needst thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Página 437 - He sacrifices virtue to convenience, and is so much more careful to please than to instruct, that he seems to write without any moral purpose.
Página 437 - It may be observed, that in many of his plays the latter part is evidently neglected. When he found himself near the end of his work, and in view of his reward, he shortened the labour to snatch the profit. He, therefore, remits his efforts where he should most vigorously exert them, and his catastrophe is improbably produced or imperfectly represented.
Página 437 - It is from this wide extension of design that so much instruction is derived. It is this which fills the plays of Shakespeare with practical axioms and domestic wisdom. It was said of Euripides that every verse was a precept; and it may be said of Shakespeare that from his works may be collected a system of civil and economical prudence.
Página 157 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: how would you be, If He, which is the top of judgment, should But judge you as you are ? O, think on that ; And mercy then will breathe within your lips, Like man new made.
Página 337 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.