Choice Literature, Volume 4J. B. Alden, 1880 |
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Página 6
... Italy , when she attained independence and unity as a kingdom , did not limit her warfare with the Church to the secularization of Rome : she swept away the greater number of the religious orders , and inflicted on the clergy that most ...
... Italy , when she attained independence and unity as a kingdom , did not limit her warfare with the Church to the secularization of Rome : she swept away the greater number of the religious orders , and inflicted on the clergy that most ...
Página 20
... Italian painters were his younger contemporaries . ( I am aware that Claude and the Poussins are usually assigned to the French school ; but I cannot help thinking that , having regard to their subjects , they more properly belong to ...
... Italian painters were his younger contemporaries . ( I am aware that Claude and the Poussins are usually assigned to the French school ; but I cannot help thinking that , having regard to their subjects , they more properly belong to ...
Página 24
... Italian school , headed by Claude , the Poussins , and Salvator , I content myself with saying that I subscribe to most of what has been written of them by Mr. Ruskin . Claude painted very well only sunlight . He had little feeling for ...
... Italian school , headed by Claude , the Poussins , and Salvator , I content myself with saying that I subscribe to most of what has been written of them by Mr. Ruskin . Claude painted very well only sunlight . He had little feeling for ...
Página 25
... Italian schools . It may well be conjectured that their pictures were brighter , and in every respect better , before ... Italy the manner of Claude , and produced many pretty land- scapes , agreeably colored , though for the most part ...
... Italian schools . It may well be conjectured that their pictures were brighter , and in every respect better , before ... Italy the manner of Claude , and produced many pretty land- scapes , agreeably colored , though for the most part ...
Página 29
... Italian pictures are marred by an ill - drawn fir , conspicuously placed , showing how far he had deteriorated in tree drawing since he painted " Crossing the Brook . " His rocks are often poorly drawn , far inferior to Stanfield's , as ...
... Italian pictures are marred by an ill - drawn fir , conspicuously placed , showing how far he had deteriorated in tree drawing since he painted " Crossing the Brook . " His rocks are often poorly drawn , far inferior to Stanfield's , as ...
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æsthetic artistic Austria Austria-Hungary Austrian language Bank beauty Belemnite Burns Burschenschaften Byzantine Byzantine art called Catholic cause century character Chaucer Christian Church Cimabue clergy color Dalmatia diamond doubt emperor empire England English Europe existence eyes façade fact feel France French German give hand Herodotus Hitopadesa horse human Hyrieus interest Jesuits Jötun kind king labor land landscape landscape art less liberty live look Magyar Mark's matter means ment mind nation nature never Odin once opinion ourselves painters painting perhaps poet poetic poetry political present question reason religion religious Republic republicans Russia sculpture seems sense speak spirit story suicide tale tank thief things Thoreau thought tion true truth village Wandering Jew whole Wild Huntsman Wodan words Zadig
Passagens mais conhecidas
Página 122 - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
Página 111 - Led on the eternal Spring. Not that fair field Of Enna, where Proserpine gathering flowers, Herself a fairer flower by gloomy Dis Was gathered, which cost Ceres all that pain To seek her through the world...
Página 111 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge ; And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafning clamours in the slippery clouds, That, with the hurly, death itself awakes ? Canst thou, O partial sleep!
Página 104 - There is not a creed which is not . shaken, not an accredited dogma which is not shown to be questionable, not a received tradition which does not threaten to dissolve.
Página 118 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Página 124 - We'll tak a cup o' kindness yet, For auld lang syne. We twa hae run about the braes, And pu'd the gowans fine ; But we've wander'd mony a weary foot Sin auld lang syne. For auld, &c. We twa hae paidl't i' the burn, From mornin sun till dine ; But seas between us braid hae roar'd Sin auld lang syne. For auld, &c. And here's a hand, my trusty fiere, And gie's a hand o' thine ; And we'll tak a right guid willie-waught, For auld lang syne.
Página 57 - To be what we are, and to become what we are capable of becoming, is the only end of life.
Página 92 - He shall not cry, nor lift up, Nor cause his voice to be heard in the street. A bruised reed shall he not break, and the smoking flax shall he not quench : He shall bring forth judgment unto truth. He shall not fail nor be discouraged, till he have set judgment in the earth : And the isles shall wait for his law.
Página 111 - What though the field be lost? All is not lost; the unconquerable will, And study of revenge, immortal hate, And courage never to submit or yield: And what is else not to be overcome?
Página 49 - Books, not which afford us a cowering enjoyment, but in which each thought is of unusual daring; such as an idle man 'cannot read, and a timid one would not be entertained by, which even make us dangerous to existing institutions — such I call good books.