Romantic Shakespeare: From Stage to PageFairleigh Dickinson University Press, 2001 - 252 páginas This book examines how British Romantics such as Lamb. Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader. |
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Página 40
... implied a sense of the dignity of their performance : " there was a judicious something in [ their ] quietude that augured well . " 62 The player's self - esteem was highly evaluated in the theater of the late eighteenth and early nine ...
... implied a sense of the dignity of their performance : " there was a judicious something in [ their ] quietude that augured well . " 62 The player's self - esteem was highly evaluated in the theater of the late eighteenth and early nine ...
Página 114
... implied by the author in order to experience the text . Lamb's idea of the reader's identifica- tion is linked to the concept of " mock reader ” advanced by Walker Gibson . The mock reader is a role which the real reader is invited to ...
... implied by the author in order to experience the text . Lamb's idea of the reader's identifica- tion is linked to the concept of " mock reader ” advanced by Walker Gibson . The mock reader is a role which the real reader is invited to ...
Página 123
... implied reader . " The term " implied reader " refers to " both the prestructuring of the potential meaning by the text , and the reader's actualization of this potential through the reading process . " It indicates the role offered by ...
... implied reader . " The term " implied reader " refers to " both the prestructuring of the potential meaning by the text , and the reader's actualization of this potential through the reading process . " It indicates the role offered by ...
Conteúdo
Acknowledgments | 9 |
Romanticism and Historicism | 55 |
Lamb and the Gap of Indeterminacy | 98 |
Direitos autorais | |
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Termos e frases comuns
action activity actor aesthetic applied artistic associated attempt audience become bring Cambridge century characters claim Coleridge Coleridge's concept concern criticism demonstrate drama edition effect Elizabethan emotion English Essays experience expressed fact feelings Friend Further give Hamlet Hazlitt historical human idea imagination implied individual intention interest interpretation Italics John Lamb Lamb's language lecture letter literary Literature London Malone Malone's meaning method mind moral nature notes notion object original Oxford particular past performance play poem poet poetic poetry political possible practice present principle production qualities range reader reading references relation response Richard Romantic sense Shake Shakespeare Shakespeare's plays social speare stage status style suggests takes textual theater theatrical theory things thought tion tradition truth understanding University Press vols whole writing York
Referências a este livro
Shakespeare in Children's Literature: Gender and Cultural Capital Erica Hateley Prévia não disponível - 2010 |