Romantic Shakespeare: From Stage to PageFairleigh Dickinson University Press, 2001 - 252 páginas This book examines how British Romantics such as Lamb. Coleridge, and Hazlitt put their idea of reading a play into practice in their criticism of Shakespeare, and how their concept of reading is related to the reader-response theory of the twentieth century. It provides a rightful assessment of the validity and modernity of British Romanticism by looking into a set of shared assumptions and procedures that exist between Romantic and contemporary theories of the relation of the text to the reader. |
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Página 88
... feeling formed the basis for the Romantic idea of Shakespeare's individual conscious- ness : " Shakespeare describes feelings which no observation could teach . Shakespeare made himself all characters ; he left out parts of himself ...
... feeling formed the basis for the Romantic idea of Shakespeare's individual conscious- ness : " Shakespeare describes feelings which no observation could teach . Shakespeare made himself all characters ; he left out parts of himself ...
Página 90
... feeling " ( BL 2:20 ) . In his reading of Venus and Adonis , Coleridge demonstrates that the workings of Shakespeare's mind at ... feelings are here brought together without effort and without discord " ( SC 1 : 189 ; CN 3 : Text 3290 ) ...
... feeling " ( BL 2:20 ) . In his reading of Venus and Adonis , Coleridge demonstrates that the workings of Shakespeare's mind at ... feelings are here brought together without effort and without discord " ( SC 1 : 189 ; CN 3 : Text 3290 ) ...
Página 161
... feelings is a prolongation of the bafflement of his creator in the face of his artistic problem . He is up against ... feeling which he cannot understand ; he cannot objectify it . ( Eliot , 145 ) For this reason Eliot is opposed to ...
... feelings is a prolongation of the bafflement of his creator in the face of his artistic problem . He is up against ... feeling which he cannot understand ; he cannot objectify it . ( Eliot , 145 ) For this reason Eliot is opposed to ...
Conteúdo
Acknowledgments | 9 |
Romanticism and Historicism | 55 |
Lamb and the Gap of Indeterminacy | 98 |
Direitos autorais | |
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Termos e frases comuns
action activity actor aesthetic applied artistic associated attempt audience become bring Cambridge century characters claim Coleridge Coleridge's concept concern criticism demonstrate drama edition effect Elizabethan emotion English Essays experience expressed fact feelings Friend Further give Hamlet Hazlitt historical human idea imagination implied individual intention interest interpretation Italics John Lamb Lamb's language lecture letter literary Literature London Malone Malone's meaning method mind moral nature notes notion object original Oxford particular past performance play poem poet poetic poetry political possible practice present principle production qualities range reader reading references relation response Richard Romantic sense Shake Shakespeare Shakespeare's plays social speare stage status style suggests takes textual theater theatrical theory things thought tion tradition truth understanding University Press vols whole writing York
Referências a este livro
Shakespeare in Children's Literature: Gender and Cultural Capital Erica Hateley Prévia não disponível - 2010 |