With variable complexions; all agreeing So shall my lungs Coin words till their decay against those meazels, The very way to catch them.-Ibid., iii. 1. Lest you should chance to whip your information.—Ibid., iv. 6. Upon the voice of occupation.—Ibid., iv. 6. You have made fair hands, You and your crafts! you have crafted fair!-Ibid., iv. 6. Wherein this trunk was fram'd, and in her hand The grand-child to her blood! - Ibid., v. 3. Now old desire doth in his death-bed lie, And young affection gapes to be his heir.-R. & Jul., i. 5 (Chorus). Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return.-Ibid., ii. 2. For naught so vile that on the earth doth live, But to the earth some special good doth give.—Ibid., ii. 3. Shot from the deadly level of a gun, Did murder her; as that name's cursed hand In what vile part of this anatomy Doth my name lodge?—Ibid., iii. 3. The base o' the mount Is rank'd with all deserts, all kind of natures, To propagate their states.-Timon, i. 1. So noble a master fall'n! All gone! and not One friend to take his fortune by the arm, And go along with him!-Ibid., iv. 2. His coward lips did from their colour fly.-Jul. C., i. 2. Danger knows full well That Cæsar is more dangerous than he.—Ibid., ii. 2. Came missives from the king, who all-hailed me, "Thane of Cawdor."-- Macb., i. 5 (Letter). What are these faces ?—Ibid., iv. 2. Great tyranny, lay thou thy basis sure, For goodness dare not check thee! wear thou thy wrongs, The title is affeer'd!-Ibid., iv. 3. Unspeak mine own detraction: here abjure Whiles I see lives, the gashes Do better upon them.-Ibid., v. 7. To reason most absurd; whose common theme *Here used for the inhabitants of earth,' 'human beings.' The very place puts toys of desperation, For we will fetters put upon this fear, Which now goes too free-footed.—Ibid., iii. 3. Virtue itself of vice must pardon beg, Yea, curb and woo for leave to do him good.-Ibid., iii. 4. Intelligent of our state.-Lear, iii. 1. Hide thee, thou bloody hand.—Ibid., iii. 2. While I to this hard house (More hard than is the stone whereof 'tis rais'd; To be tender-minded Does not become a sword.—Ibid., v. 3. To him our absolute power.—Ibid., v. 3. This grief is crowned with consolation; your old smock brings forth a new petticoat: and, indeed, the tears live in an onion that should water this sorrow.-Ant. & C., & 2 His speech sticks in my heart.— Mine ear must pluck it thence.—Ibid., i. 5. A strange invisible perfume hits the sense Whistling to the air; which, but for vacancy, Had gone to gaze on Cleopatra too, And made a gap in nature.-Ibid., ii. 2. If our eyes had authority, here they might take two thieves kissing.—Ibid., îî. 6. A lower place, note well, May make too great an act.—Ibid., iii. 1. The Kings of Mede, and Lycaonia, With a more larger list of sceptres.—Ibid., iii. 6. In his livery Walk'd crowns and crownets.-Ibid., v. 2. What shall I need to draw my sword; the paper Whose edge is sharper than the sword: whose tongue Rides on the posting winds, and doth belie All corners of the world: kings, queens, and states, This viperous slander enters.-Cym., iii. 4. Whose naked breast Stepp'd before targes of proof.—Ibid., v. 5. These mouths, whom but of late, earth, sea, and air, Although they gave their creatures in abundance, They are now starv'd for want of exercise: Those palates, who, not yet two summers younger, Would now be glad of bread, and beg for it.--Per., i.. 4. And her prosperities so largely taste, With their superfluous riots, hear these tears!-Ibid., i. 4. Shakespeare uses several bold and peculiar sentences of figurative and metaphorical phraseology; a few of which he has repeated with slight variations in the wording :— Oh, thou that dost inhabit in my breast, And leave no memory of what it was!-Tw. G. of V., v. 4. But the strong base and building of my love Is as the very centre of the earth, Drawing all things to it.-Tr. & Cr., iv. 2. That you insult, exult, and all at once, Over the wretched?-As You L., iii. 5. Some jay of Italy, Whose mother was her painting, hath betray'd him.-Cym., iii. 4. These two passages seem to us to contain some scoff understood when Shakespeare wrote, implied in reference to a would-be beauty's "mother"; and the latter of the two passages has the same kind of figurative mode of saying, 'the producer of whose beauty was her rouged face,' or 'whose sole origin of comeliness was her painted complexion,' as the following three passages have of asserting a man to be made by his attire: according to the old proverbial axiom, 'Fine feathers make fine birds': Know'st me not by my clothes?— No, nor thy tailor, rascal, You cowardly rascal, nature disclaims in thee: a tailor made thee.-Lear, ii. 2. In another passage of the same play Shakespeare has reversed this figurative expression with much humour, to express men of no more understanding than will serve them to invent new styles of dress :Whose judgments are mere fathers of their garments.—Ibid., i. 2. His honour, Clock to itself, knew the true minute when But what linsey-woolsey hast thou to speak to us again !—Ibid., iv. 1. I am in love; but a team of horse shall not pluck that from me; nor who 'tis I love. -Two G. of V., iii. 1. Though our silence be drawn from us with cars, yet peace.-Tw. N., ii. 5. I am yet so near the manners of my mother, that, upon the least occasion more, eyes will tell tales of me.-Ibid., ii. 1. mine And all my mother came into mine eyes, And welcome home again discarded faith.-John, v. 4. This churlish knot of all-abhorred war?-1 H. IV., v. 1. To face the garment of rebellion With some fine colour, that may please the eye Of fickle changelings and poor discontents.-1 H, IV., v. 1. As fool and fight is.-H. VIII. (Prologue). They must either (For so run the conditions) leave those remnants Of fool and feather, that they got in France.-Ibid., i. 3. It appears to us that, in the one instance, Shakespeare used "fool and fight to express buffoons and mock battles' or buffoonery and battling'; and, in the other, "fool and feather" to express 'folly and levity' or foppery and frippery.' A beggar's book outworths a noble's blood.-Ibid., i. 1. When he has run his course and sleeps in blessings, May have a, tomb of orphans' tears wept on them.—Ibid., iii. 2. To silence envious tongues.-Ibid., iii. 2. Here is the steed, we the caparison.—Coriol., i. 9. Is 't possible that so short a time can alter the condition of a man?— There is differency between a grub and a butterfly; yet your butterfly was a grub. This Marcius is grown from man to dragon: he has wings; he's more than a creeping thing.-Ibid., v. 4. Therefore this project Should have a back or second, that might hold, Might I but live to see thee in my touch, I'd say I had eyes again!-Ibid., iv. 1. I see it feelingly.-Ibid., iv. 6. They flattered me like a dog; and told me I had white hairs in my beard ere the black ones were there.-Ibid., iv. 6. When we shall hear The rain and wind beat dark December.-Cym., iii. 3. He also uses some poetical licences of expression that trouble and perplex the literal and conventional critics; but which delight the appreciators of such audacities in imaginative and unprosaic composi tion: When service should in my old limbs lie lame, And unregarded age in corners thrown.-As You L., ii. 3. Join with the present sickness that I have; To crop at once a too-long wither'd flower.-R. II., ï. 1. Need and oppression starveth in thine eyes, Contempt and beggary hang upon thy back.—R. & Jul., v. 1. When all our offices have been oppress'd With riotous feeders; when our vaults have wept With drunken spilth of wine; when every room Hath blaz'd with lights, and bray'd with minstrelsy.—Timon, ii. 2. And we, poor mates, stand on the dying deck, A mote it is to trouble the mind's eye.-Hamlet, i. 1. Methinks I see my father. O where, my lord?— In my mind's eye, Horatio.-Ibid., i. 2. And am fall'n out with my more headier will, To take the indispos'd and sickly fit For the sound man.-Lear, ii. 4. I'll look no more; Lest my brain turn, and the deficient Sight topple down headlong.-Ibid., iv. 6. TITLES. Shakespeare occasionally uses the names of their countries as titles for sovereigns: The King of Sicilia means to pay Bohemia the visitation which he justly owes him. —W. T., i. I. No jocund health that Denmark drinks to-day.—Hamlet, i, 2. Then bid adieu to me, and say the tears O, whither hast thou led me, Egypt? was to thy rudder tied.—Ibid., iii. 9. ... Egypt, thou knew'st too well, my heart What England says, say briefly, gentle lord.-John, ii. 1. Of goodly thousands gracious England hath Lent us good Siward and ten thousand men.-Macb., iv. 3. Now say, Chatillon, what would France with us?-John, i. 1. Was Milan thrust from Milan, that his issue Pause there, Morocco, and weigh thy value.-Mer. of V., ii. 7. What from our brother Norway ?—Ibid., ii. 2. Sicilia cannot show himself over-kind to Bohemia.-W. T., i. 1, What means Sicilia?-He something seems unsettled.—Ibid., i. 2. |