to Sleep" might, for diction and rhythm, have been written to-day, always supposing that we had anybody capable of writing it. Care-charming Sleep, thou easer of all woes, And kiss him into slumbers like a bride! Hide, oh, hide those hills of snow, Bound in those icy chains by thee. We are irresistibly reminded of the "Penseroso" in reading the fine song that follows, as we are of "Comus" in the "Faithful Shepherdess." That Milton had Fletcher in his thoughts cannot be doubted; but the great epic poet added so much from his own rich store, that the imitation may well be pardoned by the admirers of both, the rather that the earlier bard stands the test of such a comparison well. Both are crowned poets; but they wear their bays with a difference. FROM THE "NICE VALOUR, OR THE PASSIONATE MADMAN." Hence all you vain delights, As short as are the nights, Wherein you speed your folly! There's nought in this life sweet, If man were wise to see 't, Oh sweetest melancholy! Welcome, folded arms, and fixèd eyes, A sigh that piercing mortifies, Fountain heads and pathless groves, Moonlight walks, when all the fowls These are the sounds we feed upon. Then stretch our bones in a still gloomy valley, Nothing's so dainty sweet as lovely melancholy. Thorough yon same bending plain, That flings his arms down to the main, And live! Therefore on this mould Lowly do I bend my knee In worship of thy deity. , Belief to that the satyr tells : Sweeter yet did never crown The head of Bacchus; nuts more brown See, how well the lusty time Hath decked their rising cheeks in red, Here be berries for a queen, These are of that luscious meat The great god Pan himself doth eat: All these, and what the woods can yield, I freely offer, and ere long Will bring you more, more sweet and strong; 'Till when humbly leave I take, Lest the great Pan do awake, That sleeping lies in a deep glade, I must go, I must run, Swifter than the fiery sun. The charming pastoral from whence this beautiful speech is taken, was irrevocably condemned in the theatre on the first and only night of representation; which catastrophe, added to a similar one that befell Congreve's best comedy, "The Way of the World," both authors being at the time in the very flood-tide of popularity, has been an unspeakable comfort to unsuccessful dramatists ever since. I recall it chiefly to mention the hearty spirit with which two of the most eminent of Fletcher's friendly rivals came to the rescue with laudatory verses. The circumstance does so much honour to all parties, and some of the lines are so good, that I cannot help quoting them : George Chapman says that the poem Renews the golden world, and holds through all Where flowers and founts and nymphs and semi-gods Where forests flourish but in endless verse, (Think of that in the days of James the First!) This iron age that eats itself will never Bite at your golden world, that others ever Ben Jonson, first characterising the audience after a fashion by no means complimentary, says that the play failed because it wanted the laxity of moral and of language which they expected and desired. He continues : |