captive, she could have found some poisonous root, courted the bite of some serpent, snatched for one instant some pointed weapon; and that she was deterred, as Saxe said, by the simple belief that to take one's life was the unpardonable sin against the Holy Ghost, the Comforter— she could but take what came. As a high-priced chattel, she was probably not, for the most part, ill-treated-save for the tattooing, which was not cruelly intended. The few scars that Saxe noted doubtless bore witness to her protest against the utmost bitterness of slavery, some sudden saint-like frenzy with which she opposed profanation. She may have wondered why God chose so to degrade her: her conduct with Saxe shows beyond a doubt how she rated her degradation. She made not one attempt to dignify or to defend her afflicted body. Her soul despised it: trampled it under foot.

What Mary Bradford suffered before Saxe came we cannot know, but the measure of it lies, I think, in the resolution she took (if we believe the jealous slave girl) when she heard of the white man's approach. She must have divined Saxe, leagues away, as he was unable to divine her, face to face. Her one intent was to deceive him, to steep herself in unrecognizable savagery. If Mary Bradford had conceived of any rôle possible for herself in her own world, she would not have created her great part. If she had felt herself fit even to care for lepers at Molokai, she would have washed away her paint and fallen at his feet. It is perfectly evident that she considered herself fit for nothing in life-hardly for death. Her hope was clearly that Saxe should not know her. I do not believe that it was pride. If there had been any pride left in Mary Bradford's heart, she could not have stood quietly ("apathetically," was his word!) before Saxe in the flare of the dying sun. It was not to save anything of hers that she went through her comedy, but only to save a little merciful blindness for Saxe himself. He undoubtedly made it as hard as possible for her. I am inclined to think that if he had gone away at once, she would be living stillmothering her half-breed child, teaching it secretly the fear of God. When she saw that all Saxe's bewilderment still left him with the firm determination to buy her-to take her away and study her at his leisure -she conceived her magnificent chute de rideau. When she went into the hut, she had decided, for Saxe's sake, to die. Mary Bradford grovelling at the feet of the drunken chief will always seem to me one of the most remarkable figures in history: I should never have mentioned Jocasta in the same breath with her. Only Christianity can give us tragedy like that. How must she not have longed, at Saxe's offer of a kindly shot through the heart, to turn, to fling herself at his

feet, to cry out his name, once. She "redoubled her caresses," Saxe said! Has any man ever been so loved, do you think? For the sake of bestowing upon him that healing doubt, she let him go, she put off death, she spent her last night on earth not fifty yards from him, in the hut of a savage, that she might have, before dawn, the means of committing the unpardonable sin. Note that she did not commit suicide until she had made it perfectly plausible-from the point of view of the Arab-Mandingo woman. She proved to him that it was not she. She gauged Saxe perfectly. Nothing but some such evidence as later we received-perhaps not even that-would ever have made Saxe believe that Mary Bradford, with him by her side, had clung to that vile savage. Even Mary Bradford-whose soul must have been, by that time, far away from her body-a mere voice in her own ears, a remote counsellor to hands and feet-could not have done that, had she not intended to die. But remember that up to that day she had lived rather than rank herself with the "violenti contro se stessi." We can simply say that Mary Bradford chose the chance of Hell for the sake of sparing Saxe pain. The fact that you or I-I pass over the lady who thinks her indelicate; does she think, I wonder, that it would have been delicate for Mary Bradford to accompany Saxe back to civilization?—may believe her to be one of the saints, has nothing to do with what she thought. Mary Bradford came of a race that for many generations believed in predestination; but she herself believed in free will. Dreadful as it is to be foredamned, it is worse to have damned yourself. She had not even the cold comfort of Calvinism. I said that I understood Mary Bradford. I am not sure that it would not have taken a Spanish saint of the sixteenth century really to understand her. Sixteenth-century Spain is the only thing I know of that is in the least like New England.

I am not trying to make out a "case" for Mary Bradford; and I sincerely hope that the lady who thinks her indelicate will never read these pages. For most people, the facts will suffice, and I have no desire to interpret them for the others. You have only to meditate for a little on the ironic and tragic reflections of a hundred kinds that must have surged through Mary Bradford's brain, to be swept away, yourself, on the horrid current. Do I need, for example, to point out the difficulty to use a word that I think the lady I have cited would approve-of merely meeting the man she adored, face to face? For never doubt that those souls who live least by the flesh feel themselves most defiled by its defilement. No, you have only to explore Mary Bradford's tragedy for yourself. It will take you three years, perhaps, as

it has taken me, to penetrate the last recesses. And if you are tempted for a moment to think of her as mad, or exaltée, reflect on how completely she understood Saxe. I am only half a New Englander; and I confess that, though I reverence her heroism, I am even more humble before her intelligence. It is no blame to Saxe that he stumbled out of the chief's hut, completely her dupe. Poor Saxe! But the vivid vision of that scene leaves Phèdre tasteless to me. As I say, I am only half a New Englander. . .

RING W. LARDNER

Champion

MIDGE KELLY scored his first knockout when he was seventeen. The knockee was his brother Connie, three years his junior and a cripple. The purse was a half dollar given to the younger Kelly by a lady whose electric had just missed bumping his soul from his frail little body.

Connie did not know Midge was in the house, else he never would have risked laying the prize on the arm of the least comfortable chair in the room, the better to observe its shining beauty. As Midge entered from the kitchen, the crippled boy covered the coin with his hand, but the movement lacked the speed requisite to escape his brother's quick eye. "Watcha got there?" demanded Midge.

"Nothin'," said Connie.

"You're a one-legged liar!" said Midge.

He strode over to his brother's chair and grasped the hand that concealed the coin.

"Let loose!" he ordered.

Connie began to cry.

"Let loose and shut up your noise," said the elder, and jerked his brother's hand from the chair arm.

The coin fell onto the bare floor. Midge pounced on it. His weak mouth widened into a triumphant smile.

"Nothin', huh?" he said. "All right, if it's nothin' you don't want it."

"Give that back," sobbed the younger.

"I'll give you a red nose, you little sneak! Where'd you steal it?” "I didn't steal it. It's mine. A lady give it to me after she pretty near hit me with a car."

"It's a crime she missed you," said Midge.

Midge started for the front door. The cripple picked up his crutch,

rose from his chair with difficulty, and, still sobbing, came toward Midge. The latter heard him and stopped.

"You better stay where you're at," he said. "I want my money," cried the boy.

"I know what you want," said Midge.

Doubling up the fist that held the half dollar, he landed with all his strength on his brother's mouth. Connie fell to the floor with a thud, the crutch tumbling on top of him. Midge stood beside the prostrate form.

"Is that enough?" he said. "Or do you want this, too?"

And he kicked him in the crippled leg.

"I guess that'll hold you," he said.

There was no response from the boy on the floor. Midge looked at him a moment, then at the coin in his hand, and then went out into the street, whistling.

An hour later, when Mrs. Kelly came home from her day's work at Faulkner's Steam Laundry, she found Connie on the floor, moaning. Dropping on her knees beside him, she called him by name a score of times. Then she got up and, pale as a ghost, dashed from the house. Dr. Ryan left the Kelly abode about dusk and walked toward Halsted Street. Mrs. Dorgan spied him as he passed her gate.

"Who's sick, Doctor?" she called.

"Poor little Connie," he replied. "He had a bad fall."

"How did it happen?"

"I can't say for sure, Margaret, but I'd almost bet he was knocked down."

"Knocked down!" exclaimed Mrs. Dorgan. "Why, who-?” "Have you seen the other one lately?"

"Michael? No, not since mornin'. You can't be thinkin'——"

"I wouldn't put it past him, Margaret," said the doctor gravely. "The lad's mouth is swollen and cut, and his poor, skinny little leg is bruised. He surely didn't do it to himself, and I think Helen suspects the other one."

"Lord save us!" said Mrs. Dorgan. "I'll run over and see if I can help."

"That's a good woman," said Doctor Ryan, and went on down the

street.

Near midnight, when Midge came home, his mother was sitting at Connie's bedside. She did not look up.

"Well," said Midge, "what's the matter?"

She remained silent. Midge repeated his question.

"Michael, you know what's the matter," she said at length. "I don't know nothin'," said Midge.

"Don't lie to me, Michael. What did you do to your brother?" "Nothin'."

"You hit him."

"Well, then, I hit him. What of it? It ain't the first time."

Her lips pressed tightly together, her face like chalk, Ellen Kelly rose from her chair and made straight for him. Midge backed against the door.

"Lay off'n me, Ma. I don't want to fight no woman."

Still she came on breathing heavily.

"Stop where you're at, Ma," he warned.

There was a brief struggle and Midge's mother lay on the floor before him.

"You ain't hurt, Ma. You're lucky I didn't land good. And I told you to lay off'n me."

"God forgive you, Michael!"

Midge found Hap Collins in the showdown game at the Royal.

"Come on out a minute," he said.

Hap followed him out on the walk.

"I'm leavin' town for a w'ile," said Midge.

"What for?"

"Well, we had a little run-in up to the house. The kid stole a half buck off'n me, and when I went after it he cracked me with his crutch. So I nailed him. And the old lady came at me with a chair and I took it off'n her and she fell down."

"How is Connie hurt?"

"Not bad."

"What are you runnin' away for?"

"Who the hell said I was runnin' away? I'm sick and tired o' gettin' picked on; that's all. So I'm leavin' for a w'ile and I want a piece o' money."

"I ain't only got six bits," said Happy.

"You're in bad shape, ain't you? Well, come through with it."

Happy came through.

"You oughtn't to hit the kid," he said.

"I ain't astin' you who can I hit," snarled Midge.

"You try to put I'm goin' now."

somethin' over on me and you'll get the same dose. "Go as far as you like," said Happy, but not until he was sure that Kelly was out of hearing.

Early the following morning, Midge boarded a train for Milwaukee.