Art, Origins, Otherness: Between Philosophy and Art

Cover
SUNY Press, 14.08.2003 - 306 Seiten
Though our time is often said to be post-religious and post-metaphysical, many continue to seek some encounter with otherness and transcendence in art. This book deals diversely with the issues of art, origins, and otherness, both in themselves and in philosophical engagements with the works of Plato, Kant, Hegel, Schopenhauer, Nietzsche, and Heidegger. Addressing themes such as eros and mania, genius and the sublime, transcendence and the saving power of art, William Desmond tries to make sense of the paradox that too much has been asked of art that now almost nothing is asked of it. He argues that there is more to be said philosophically of art, and claims that art has the power to open up mindfulness beyond objectifying knowledge, as well as beyond thinking that claims to be entirely self-determining.

Im Buch

Was andere dazu sagen - Rezension schreiben

Es wurden keine Rezensionen gefunden.

Inhalt

On Platonic Originals
19
The Otherness of Arts EnigmaResolved or Dissolved?
87
On Architecture and
115

Andere Ausgaben - Alle anzeigen

Häufige Begriffe und Wortgruppen

Über den Autor (2003)

William Desmond is Professor of Philosophy and Director of the International Program in Philosophy, Institute of Philosophy, at Katholieke Universiteit Leuven, Belgium. He is the author of many books, including the award-winning Being and the Between; Ethics and the Between; and coeditor (with Joseph Grange) of Being and Dialectic: Metaphysics as a Cultural Presence; all published by SUNY Press.

Bibliografische Informationen