Performance Analysis: An Introductory CoursebookColin Counsell, Laurie Wolf Psychology Press, 2001 - 250 Seiten This revolutionary introductory performance studies coursebook brings together classic texts in critical theory and shows how these texts can be used in the analysis of performance. The editors put their texts to work in examining such key topics as: * decoding the sign * the politics of performance * the politics of gender and sexual identity * performing ethnicity * the performing body * the space of performance * audience and spectatorship * the borders of performance. Each reading is clearly introduced, making often complex critical texts accessible at an introductory level and immediately applicavble to the field of performance. The ideas explored within these readings are further clarified through innovative, carefully tested exercises and activities |
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... play 222 Clifford Geertz , from ' Deep Play : Notes on the Balinese Cockfight ' Part nine : Analysing performance The Patrice Pavis Questionnaire Bibliography Index 229 233 245 Preface The aim of this book is to introduce readers viii ...
... play 222 Clifford Geertz , from ' Deep Play : Notes on the Balinese Cockfight ' Part nine : Analysing performance The Patrice Pavis Questionnaire Bibliography Index 229 233 245 Preface The aim of this book is to introduce readers viii ...
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Andere Ausgaben - Alle anzeigen
Performance Analysis: An Introductory Coursebook Colin Counsell,Laurie Wolf Eingeschränkte Leseprobe - 2005 |
Performance Analysis: An Introductory Coursebook Colin Counsell,Laurie Wolf Eingeschränkte Leseprobe - 2005 |
Performance Analysis: An Introductory Coursebook Colin Counsell,Laurie Wolf Keine Leseprobe verfügbar - 2001 |
Häufige Begriffe und Wortgruppen
action activity actor acts aesthetic analysis audience become behaviour blackface body Brecht Brechtian carnival character cockfight colonialist concept consider critical cultural defined demonstrator discourse dominant drama elements epic theatre Erving Goffman Essays existence experience fashion feminist Ferdinand de Saussure film Foucault function gaze gender gesture historical human ideas identity Ideological State Apparatuses ideology imaginary individual interpretation kind labour power language Laura Mulvey liminal liminoid linguistic London male manichean mass media material meaning mime Mirror Stage mode modern movement myth narrative nature object organization parody performance perspective piece platea play political position postmodern practices production queer reader reading reality relations relationship representation reproduce ritual role Routledge scene scopophilia semiology Semiotics sense sexual signifier social society space specific spectator stage structure symbolic theatre theory tion trans University Press white supremacy woman women word York