Elements of Criticism: Volume I [-II].A. Millar, London; and A. Kincaid & J. Bell, Edinburgh., 1765 |
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Página 34
... requires , that in describing two resembling objects a refemblance in the two mem- bers of the period ought to be ftudied . To il- luftrate the rule in this cafe , I fhall give various examples of deviations from it ; beginning with ...
... requires , that in describing two resembling objects a refemblance in the two mem- bers of the period ought to be ftudied . To il- luftrate the rule in this cafe , I fhall give various examples of deviations from it ; beginning with ...
Página 45
... requires no art : the great nicety in all languages is , to exprefs the various relations that connect together the parts of the thought . Could we fuppofe this branch of language to be ftill a fecret , it would puzzle , I am apt to ...
... requires no art : the great nicety in all languages is , to exprefs the various relations that connect together the parts of the thought . Could we fuppofe this branch of language to be ftill a fecret , it would puzzle , I am apt to ...
Página 75
... requires the chief part to be named first for that reafon we begin with the fhaft ; and the bafe comes next in order , that we may afcend from it to the capital . Laftly , In tracing the particulars of any natural operation , order requires ...
... requires the chief part to be named first for that reafon we begin with the fhaft ; and the bafe comes next in order , that we may afcend from it to the capital . Laftly , In tracing the particulars of any natural operation , order requires ...
Página 83
... requires no explanation . This undoubtedly is an error ; and to avoid it , I fhall give examples of the various refem- blances between found and fignification , and at the fame time fhall endeavour to explain why fuch refemblances are ...
... requires no explanation . This undoubtedly is an error ; and to avoid it , I fhall give examples of the various refem- blances between found and fignification , and at the fame time fhall endeavour to explain why fuch refemblances are ...
Página 103
... requires . A pause of the fecond kind , is in no degree arbitrary ; its place being determined by the melody . The last fort again is in a measure arbitrary , depending on the reader's command of breath : this fort ought always to ...
... requires . A pause of the fecond kind , is in no degree arbitrary ; its place being determined by the melody . The last fort again is in a measure arbitrary , depending on the reader's command of breath : this fort ought always to ...
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Termos e frases comuns
abſtract accent action Æneid againſt agreeable alfo alſo appear arts beauty becauſe beſt cafe caufe cauſe cenfured circumftance clofe cloſe compariſon compofition confidered connected defcribing defcription Demetrius Phalereus diſtinguiſhed emotions employ'd Eneid epic epic poem example expreffed expreffion faid fame fecond fenfe fenfible fenſe feparate fhall fhort fhould fignify figure fimile fingle firft firſt fome fpeech ftandard ftill fubftantive fubject fucceffion fuch fupport fyllables garden greateſt hath Hexameter hiftory himſelf houſe Iliad impreffion inftances itſelf jects language laſt leaſt lefs meaſure melody mind moſt mufic muft muſical muſt nature neceffary obferved object occafion paffage paffion paufe pauſe perfon perfonification pleaſure poem prefent profe purpoſe raiſed reafon refpect reprefented repreſentation reſemblance rhyme Richard II rule ſcene ſenſe ſhall ſhort Spondees ſtill tafte taſte thefe theſe thing thofe thoſe thou tion uſe vafes verfe verſe words
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Página 184 - Behold, how good and how pleasant it is for brethren to dwell together in unity! It is like the precious ointment upon the head, that ran down upon the beard, even Aaron's beard: that went down to the skirts of his garments; As the dew of Hermon, and as the dew that descended upon the mountains of Zion: for there the Lord commanded the blessing, even life for evermore.
Página 327 - O, you hard hearts, you cruel men of Rome, Knew you not POmpey? Many a time and oft Have you climb'd up to walls and battlements, To towers and windows, yea, to chimney-tops, Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Página 234 - To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life Were brass impregnable, and...
Página 277 - What could have been done more to my vineyard, That I have not done in it? Wherefore, when I looked that it should bring forth grapes, Brought it forth wild grapes?
Página 234 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Página 312 - Why, well; Never so truly happy, my good Cromwell. I know myself now; and I feel within me A peace above all earthly dignities, A still and quiet conscience.
Página 235 - Wilt thou upon the high and giddy mast Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge, And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafening clamour in the slippery clouds, That, with the hurly, death itself awakes...
Página 332 - There are a sort of men whose visages Do cream and mantle like a standing pond, And do a wilful stillness entertain, With purpose to be dress'd in an opinion Of wisdom, gravity, profound conceit; As who should say, " I am Sir Oracle, And when I ope my lips let no dog bark...
Página 432 - Flowers worthy of Paradise, which not nice Art In beds and curious knots, but Nature boon Pour'd forth profuse on hill, and dale, and plain...
Página 277 - And now go to; I will tell you what I will do to my vineyard : I will take away the hedge thereof, and it shall be eaten up; And break down the wall thereof, and it shall be trodden down...