Shakespeare's Theory of Drama
Cambridge University Press, 23.07.1998 - 232 Seiten
Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study, first published in 1996, examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Shakespeare and Sidney Two worlds the brazen and the golden
Shakespeare and Ovid What strained touches rhetoric can lend poetry metamorphosed in Venus and Adonis and the Sonnets
In scorn of nature art gave lifeless life exposing arts sterility The Rape of Lucrece The Winters Tale and The Tempest
Oerwrested seeming dramatic illusion and the repudiation of mimesis Loves Labours Lost A Midsummer Nights Dream and Hamlet
Thy registers and thee I both defy history challenged Richard III Henry VIII Henry V and Richard II
Andere Ausgaben - Alle anzeigen
action actor actual Adonis Antony argue asks attempt audience becomes begin believe blood body breath bring character Cleopatra comes concern created criticism death describes drama dramatist earth effect emphasis examine example explore eyes false fiction flesh flowers give given happened Henry human idea identity illusion imagine imitation insistence interpretation King language literary living London look lost matter means Metamorphoses mimetic move nature nature's never original Ovid Ovid's painting past performance physical play poem poet poetic poetry present question reading reality record remind Renaissance representation rhetoric Richard Rome says scene seems seen sense shadows Shakespeare significance Sonnet speak spectators speech stage statue story suggest tell texts theatre theory things tion told true truth turned University Press Venus Venus and Adonis writes written
Alle Ergebnisse von Google Books »
The Self-fashioning of an Early Modern Englishwoman: Mary Carleton's Lives
Mary Jo Kietzman
Keine Leseprobe verfügbar - 2004