The Early Poetry of Robert Graves: The Goddess Beckons

University of Texas Press, 06.11.2013 - 192 Seiten
Like many men of his generation, poet Robert Graves was indelibly marked by his experience of trench warfare in World War I. The horrific battles in which he fought and his guilt over surviving when so many perished left Graves shell-shocked and disoriented, desperately seeking a way to bridge the rupture between his conventional upbringing and the uncertainties of postwar British society. In this study of Graves’s early poetry, Frank Kersnowski explores how his war neurosis opened a door into the unconscious for Graves and led him to reject the essential components of the Western idea of reality—reason and predictability. In particular, Kersnowski traces the emergence in Graves’s early poems of a figure he later called "The White Goddess," a being at once terrifying and glorious, who sustains life and inspires poetry. Drawing on interviews with Graves’s family, as well as unpublished correspondence and drafts of poems, Kersnowski argues that Graves actually experienced the White Goddess as a real being and that his life as a poet was driven by the purpose of celebrating and explaining this deity and her matriarchy.

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The early poetry of Robert Graves: the goddess beckons

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When Robert Graves returned to England after World War I, he wrote of seeing the heads of dead comrades on the bodies of the living. So he took advantage of the then-new practice of psychiatry to ... Vollständige Rezension lesen

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Über den Autor (2013)

Frank L. Kersnowski is Professor of English at Trinity University in San Antonio, Texas.

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