CR. The Centennial Review, Volume 23Michigan State University, College of Arts & Letters, 1979 |
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Página 129
IS SHE ALSO THE DIVINE IMAGE ? FEMININE FORM IN THE ART OF WILLIAM BLAKE Diana Hume George I IN HIS 1789 ANNOTATIONS to Lavater's Aphorisms on Man , William Blake recorded his " strong objection " to Lavater's high - minded principles ...
IS SHE ALSO THE DIVINE IMAGE ? FEMININE FORM IN THE ART OF WILLIAM BLAKE Diana Hume George I IN HIS 1789 ANNOTATIONS to Lavater's Aphorisms on Man , William Blake recorded his " strong objection " to Lavater's high - minded principles ...
Página 138
Blake's engraving of Chaucer's Canterbury Pilgrims . For him , the Wife of Bath is a " scourge and a blight . " 13 In the same year , her physiognomy is repeated in " The Whore of Babylon . " In both , the face is thick , grossly ...
Blake's engraving of Chaucer's Canterbury Pilgrims . For him , the Wife of Bath is a " scourge and a blight . " 13 In the same year , her physiognomy is repeated in " The Whore of Babylon . " In both , the face is thick , grossly ...
Página 140
... Blake was limited in his choice of metaphors to represent all he loved and reviled . The material world was his repository for imaging the eternal . All action was human for Blake , and must possess the human form . Nature must be human ...
... Blake was limited in his choice of metaphors to represent all he loved and reviled . The material world was his repository for imaging the eternal . All action was human for Blake , and must possess the human form . Nature must be human ...
Conteúdo
JAMES SLOAN ALLEN | 20 |
Metaphysics in the Technological Society | 40 |
STEVEN LAUTERMILCH | 62 |
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