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CANTO THIRD

INTRODUCTION

I

LONG loved, long wooed, and lately won,
My life's best hope, and now mine own!
Doth not this rude and Alpine glen
Recall our favourite haunts agen?
A wild resemblance we can trace,
Though reft of every softer grace,
As the rough warrior's brow may bear
A likeness to a sister fair.

Full well advised our Highland host
That this wild pass on foot be crossed,
While round Ben-Cruach's mighty base
Wheel the slow steeds and lingering chase.
The keen old carle, with Scottish pride
He praised his glen and mountains wide;
An eye he bears for Nature's face,
Ay, and for woman's lovely grace.
Even in such mean degree we find
The subtle Scot's observing mind;
For nor the chariot nor the train
Could gape of vulgar wonder gain,

But when old Allan would expound
Of Beal-na-paish1 the Celtic sound,
His bonnet doffed and bow applied
His legend to my bonny bride;
While Lucy blushed beneath his eye,
Courteous and cautious, shrewd and sly.

II

Enough of him. Now, ere we lose,

Plunged in the vale, the distant views,

Turn thee, my love! look back once more
To the blue lake's retiring shore.

On its smooth breast the shadows seem
Like objects in a morning dream,
What time the slumberer is aware
He sleeps and all the vision's air:
Even so on yonder liquid lawn,
In hues of bright reflection drawn,
Distinct the shaggy mountains lie,
Distinct the rocks, distinct the sky;
The summer-clouds so plain we note
That we might count each dappled spot:
We gaze and we admire, yet know
The scene is all delusive show.

Such dreams of bliss would Arthur draw

1 The Vale of the Bridal.

When first his Lucy's form he saw,
Yet sighed and sickened as he drew,
Despairing they could e'er prove true!

III

But, Lucy, turn thee now to view
Up the fair glen our destined way:
The fairy path that we pursue,
Distinguished but by greener hue,
Winds round the purple brae,
While Alpine flowers of varied dye
For carpet serve or tapestry.

See how the little runnels leap

In threads of silver down the steep
To swell the brooklet's moan!

Seems that the Highland Naiad grieves,
Fantastic while her crown she weaves

Of rowan, birch, and alder leaves,

So lovely and so lone.

There's no illusion there; these flowers,

That wailing brook, these lovely bowers,

Are, Lucy, all our own;

And, since thine Arthur called thee wife,

Such seems the prospect of his life,

A lovely path on-winding still

By gurgling brook and sloping hill.

'Tis true that mortals cannot tell

What waits them in the distant dell;
But be it hap or be it harm,

We tread the pathway arm in arm.

IV

And now, my Lucy, wot'st thou why
I could thy bidding twice deny,
When twice you prayed I would again
Resume the legendary strain

Of the bold knight of Triermain?
At length yon peevish vow you swore
That you would sue to me no more,
Until the minstrel fit drew near
And made me prize a listening ear.
But, loveliest, when thou first didst pray
Continuance of the knightly lay,
Was it not on the happy day

That made thy hand mine own?
When, dizzied with mine ecstasy,
Nought past, or present, or to be,
Could I or think on, hear, or see,
Save, Lucy, thee alone!

A giddy draught my rapture was
As ever chemist's magic gas.

V

Again the summons I denied

In yon fair capital of Clyde:

My harp or let me rather choose

The good old classic form

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my Muse

For harp's an over-scutched phrase,

Worn out by bards of modern days

My Muse, then seldom will she wake, Save by dim wood and silent lake;

She is the wild and rustic maid

Whose foot unsandalled loves to tread
Where the soft greensward is inlaid
With varied moss and thyme;

And, lest the simple lily-braid,

That coronets her temples, fade,

She hides her still in greenwood shade

To meditate her rhyme.

VI

And now she comes! The murmur dear Of the wild brook hath caught her ear, The glade hath won her eye;

She longs to join with each blithe rill

That dances down the Highland hill
Her blither melody.

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