Beethoven and His ForerunnersMacmillan Company, 1922 - 352 páginas |
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Página 9
... tonal material used , under the sys- tematic treatment of man's æsthetic faculty , has been constrained by its nature to undergo sud- den changes , to recrystallize in novel ways , to take on unwonted aspects which initiate new periods ...
... tonal material used , under the sys- tematic treatment of man's æsthetic faculty , has been constrained by its nature to undergo sud- den changes , to recrystallize in novel ways , to take on unwonted aspects which initiate new periods ...
Página 22
... over- expressive , moreover , impelled them to exclude from their gamut both the lowest and the high- est tones of the voice , so that even their tonal material was confined to a range of about two octaves 22 BEETHOVEN FORERUNNERS AND HIS.
... over- expressive , moreover , impelled them to exclude from their gamut both the lowest and the high- est tones of the voice , so that even their tonal material was confined to a range of about two octaves 22 BEETHOVEN FORERUNNERS AND HIS.
Página 23
... tonal mate- rial ; but must have valued it chiefly for its sen- suous beauty , and for its power to enhance the expressiveness of their poetry . It is nevertheless noteworthy that all three kinds of value did exist in the music of the ...
... tonal mate- rial ; but must have valued it chiefly for its sen- suous beauty , and for its power to enhance the expressiveness of their poetry . It is nevertheless noteworthy that all three kinds of value did exist in the music of the ...
Página 30
... tonal centres , which could be manipulated and organ- ized like the masses in a picture . Thus emerged the principle of tonality or key , and in the course of time the device of modulation by which one passes from one key to another ...
... tonal centres , which could be manipulated and organ- ized like the masses in a picture . Thus emerged the principle of tonality or key , and in the course of time the device of modulation by which one passes from one key to another ...
Página 34
... , but accessible by modulation ; the crys- tallization , by means of both harmonic and met- rical definition , of individual themes out of the amorphous tonal matrix of previous eras , and the exploration 34 BEETHOVEN AND HIS FORERUNNERS.
... , but accessible by modulation ; the crys- tallization , by means of both harmonic and met- rical definition , of individual themes out of the amorphous tonal matrix of previous eras , and the exploration 34 BEETHOVEN AND HIS FORERUNNERS.
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accent æsthetic artistic Bach Bach's balance beauty Beethoven C. P. E. Bach cadence characteristic chords clavichord coherence combined complete composer composition contrapuntal contrast dances definite dissonances effect elements eloquence embodied emotional Eroica evolution expression feeling fifth Fifth Symphony Figure final fugue genius harmonic form Haydn Haydn and Mozart human idealism impression individual intellectual interest J. S. Bach Leopold Mozart logical Ludwig van Beethoven maturity means medieval melody ment metrical and harmonic mind minuet modern music modulation monic motif movement musicians mystical natural organic Palestrina peculiar perfect period phrases piano piece polyphonic primitive principles program music pure music qualities rhythm rhythmic says scheme Second Symphony sense sensuous seventeenth century sion sonata sonata-form song sort sound spirit string quartet structure style ternary form theme thought thoven tion tonal tones tonic ture unity utterance variety Vienna violin voices whole words write