Beethoven and His ForerunnersMacmillan Company, 1922 - 352 páginas |
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Página 13
... song for the piano ; which we find to be relatively highly heterogeneous , not only in respect of the varieties in the pitch and in the length of the notes , the number of different notes sounding at the same instant in company with the ...
... song for the piano ; which we find to be relatively highly heterogeneous , not only in respect of the varieties in the pitch and in the length of the notes , the number of different notes sounding at the same instant in company with the ...
Página 21
... song it is impossible , however , to form any certain ideas . We can only rely upon conjecture and inference , supposing that something like them preceded the stages about which we have more reliable information . The earliest music of ...
... song it is impossible , however , to form any certain ideas . We can only rely upon conjecture and inference , supposing that something like them preceded the stages about which we have more reliable information . The earliest music of ...
Página 22
... song , generally if not always without accompaniment . Their love for moderation and their avoidance of the passionate , harsh , or over- expressive , moreover , impelled them to exclude from their gamut both the lowest and the high ...
... song , generally if not always without accompaniment . Their love for moderation and their avoidance of the passionate , harsh , or over- expressive , moreover , impelled them to exclude from their gamut both the lowest and the high ...
Página 47
... songs of troubadours and minstrels , a kind of popular music that had in many respects more vitality , individuality , and beauty than the more conventional ecclesiastical art ; and that the latter , at many stages in its de- velopment ...
... songs of troubadours and minstrels , a kind of popular music that had in many respects more vitality , individuality , and beauty than the more conventional ecclesiastical art ; and that the latter , at many stages in its de- velopment ...
Página 49
... song , which consists in a single unaccompanied series of tones set to the liturgic text , intoned by priest or choristers , and for many centuries used exclusively throughout the entire service . It has not only no harmony , but ...
... song , which consists in a single unaccompanied series of tones set to the liturgic text , intoned by priest or choristers , and for many centuries used exclusively throughout the entire service . It has not only no harmony , but ...
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accent æsthetic artistic Bach Bach's balance beauty Beethoven C. P. E. Bach cadence characteristic chords clavichord coherence combined complete composer composition contrapuntal contrast dances definite dissonances effect elements eloquence embodied emotional Eroica evolution expression feeling fifth Fifth Symphony Figure final fugue genius harmonic form Haydn Haydn and Mozart human idealism impression individual intellectual interest J. S. Bach Leopold Mozart logical Ludwig van Beethoven maturity means medieval melody ment metrical and harmonic mind minuet modern music modulation monic motif movement musicians mystical natural organic Palestrina peculiar perfect period phrases piano piece polyphonic primitive principles program music pure music qualities rhythm rhythmic says scheme Second Symphony sense sensuous seventeenth century sion sonata sonata-form song sort sound spirit string quartet structure style ternary form theme thought thoven tion tonal tones tonic ture unity utterance variety Vienna violin voices whole words write