Painting in Italy, 1500-1600Yale University Press, 1993 - 761 páginas 'Art', declared Vasari in Lives of the Artists, has been reborn and reached perfection in our time'. Indeed the roster of great names in painting of the Cinquecento, which only begins with those of Leonardo, Michelangelo, and Raphael, appears to justify this grand claim. Professor Freedberg here discusses the individual painters and analyses the hallmarks of their work. He traces the classical style of the High Renaissance, the Mannerism that succeeded it, and the events, in North Italy especially, that resist stylistic categories. He has given order to this diversity, but at the same time has preserved the intense individuality of the works of art. |
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Accademia achieved aesthetic altar altarpiece Andrea appears architecture artistic Barocci Bartolommeo Bellini's Bologna Bronzino Cappella career cartoon ceiling Central Italian century chapel Christ Cinquecento classical style classicistic colour contemporary Correggio Counter-Maniera Cremona dated decade decoration Duomo earlier early effect elements emotion energy evidence example execution expression Federico Zuccaro figures Florence Florentine Fra Bartolommeo Francesco fresco Gior Giorgione Giorgione's Giovanni Giulio Giulio Romano high Maniera High Renaissance Holy Family idea invention Italy Jacopo Kunsthistorisches Museum landscape late later Leonardo less light Lotto Louvre Madonna with St Mannerism Mannerist Maria mature means ment Michel Michelangelo Milan mode Museum National Gallery native optical ornament painter painting Palazzo Palma Paolo Parma Parmigianino Perino Peruzzi picture Pietà Pontormo Pordenone Pordenone's portrait precedent Quattrocento Raphael Raphaelesque religious Roman Rome Rosso Sala Salviati Sarto Sebastiano seems sense sensuous shape Sistine temper theme Tintoretto tion Titian Uffizi Vasari Venetian Venice vocabulary