An Exploration of a New Poetic Expression Beyond Dichotomy
Universal-Publishers, 2004 - 404 páginas
This study attempts to re-evaluate Lawrence's poetry, which has often been read as a set of biographical documents or supplementary notes to his novels, as fully independent literary work in the light of post-modern critical theory. The author carefully examines how Lawrence needed to misread his precursors, the nineteenth-century Romantics, to establish himself as one of the modern poets. What separates his poetry from his precursors' is his self-consciousness as a modern poet. His search for radical freedom in language and his meta-poetic exploration of a new poetic expression make him a true pioneer of the "terra incognita" in English poetry.
O que estão dizendo - Escrever uma resenha
Não encontramos nenhuma resenha nos lugares comuns.
act of perception act of poetry ambiguity Amit Chaudhuri anti-language attention Beasts and Flowers bird blue darkness blueness buffer zone Cambridge U P colour terms consciousness Corot critics cypresses D. H. Lawrence demon dichotomy Dylan Thomas element Etruria Etruscan Etruscan language expression feeling fish freedom in language Gail Porter Gail Porter Mandell gentians Gilbert Hitoshi Kaneyama human implies inspiration intuition Jillian de Vries-Mason John Keats Joyce Carol Oates Kaneyama Keats Keith Sagar kind Lawrence's poems light and darkness logical M. J. Lockwood Mackey modern moon mosquito Murfin negate never object perceive Philip Hobsbaum poet poet's subjectivity poetic Poetry of D. H. poetry writing precursors realise Rita Saldanha Romantic Sandra says Section seems seen semantic sense Ship of Death snake Song speaker stanza suggests symbol symbolises Takeo Iida textual Tom Marshall trees twilight viewpoint wind woman Women in Love words writes as follows