King LearInsight Publications, 2011 - 224 Seiten Even the most resolutely disengaged students can finally 'discover' and thrill to the rhythms and passions of Shakespeare's plays! Award-winning teachers and Shakespearean scholars have extensively trialled their approach to teaching Shakespeare's plays in the classroom, and this series is the result! The plays in this series are becoming increasingly popular for student resources in schools as English and Drama teachers discover their fabulous teaching and learning qualities. |
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Seite 25
... , With shadowy forests and with champains riched, With plenteous rivers and wide-skirted meads, 55 We make thee lady.To thine and Albany's issues REGAN CORDELIA KING LEAR CORDELIA KING LEAR CORDELIA KING LEAR. King Lear Act 1 Scene 1 25.
... , With shadowy forests and with champains riched, With plenteous rivers and wide-skirted meads, 55 We make thee lady.To thine and Albany's issues REGAN CORDELIA KING LEAR CORDELIA KING LEAR CORDELIA KING LEAR. King Lear Act 1 Scene 1 25.
Seite 26
... thine hereditary ever Remain this ample third of our fair kingdom, No less in space, validity, and pleasure Than that conferred on Gonerill. – Now, our joy, Although the last, not least, to whose young love The vines of France and milk ...
... thine hereditary ever Remain this ample third of our fair kingdom, No less in space, validity, and pleasure Than that conferred on Gonerill. – Now, our joy, Although the last, not least, to whose young love The vines of France and milk ...
Seite 28
... thine eye. Now, by Apollo – Now, by Apollo, King, 150 Thou swear'st thy gods in vain. O, vassal! Miscreant! [Laying his hand on his sword] ALBANY, CORNWALL KENT KING LEAR KENT Dear Sir, forbear. Kill thy physician, and the fee bestow ...
... thine eye. Now, by Apollo – Now, by Apollo, King, 150 Thou swear'st thy gods in vain. O, vassal! Miscreant! [Laying his hand on his sword] ALBANY, CORNWALL KENT KING LEAR KENT Dear Sir, forbear. Kill thy physician, and the fee bestow ...
Seite 31
... thine; for we Have no such daughter, nor shall ever see That face of hers again. Therefore begone Without our grace, our love, our benison! 255 Come, noble Burgundy. [Flourish. Exit LEAR, BURGUNDY, CORNWALL,ALBANY, GLOUCESTER and ...
... thine; for we Have no such daughter, nor shall ever see That face of hers again. Therefore begone Without our grace, our love, our benison! 255 Come, noble Burgundy. [Flourish. Exit LEAR, BURGUNDY, CORNWALL,ALBANY, GLOUCESTER and ...
Seite 52
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Häufige Begriffe und Wortgruppen
Act 1 Scene ALBANY Albany’s audience Bedlam beggars blinding brother Burgundy characters Child Rowland complete the table contrast Copy and complete CORDELIA KING LEAR daughters death dost dramatic irony Duke Duke of Cornwall Earl of Gloucester EDGAR GLOUCESTER EDGAR EDMUND GLOUCESTER emphasise enters Exit eyes father FOOL KENT FOOL KING LEAR Fool’s GENTLEMAN give GLOUCESTER EDGAR GLOUCESTER Gloucester’s castle gods Gonerill and Regan Gonerill’s hast hath heart iambic pentameter iambs imagery Jacobean KENT KING LEAR Kent’s KING LEAR FOOL KING LEAR KENT KING OF FRANCE King’s kingdom knave language LEAR FOOL KING LEAR KENT KING Lear’s letter lines Lord Madam man’s means nature night Nuncle Nunn nutshell OSWALD pathetic fallacy Peter Brook play’s poor Press PLAY Prithee Questions servant Shakespeare Shakespeare’s plays sister soliloquy speak storm Text notes thee There’s thine Trevor Nunn trochee villain words