CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
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... turn to . She'd seen the movies , she'd listened to the radio - there was no television at that point , or very few people had television sets- so they depended entirely on her for feedback . Typical of Rosie's stories , when she was ...
... turn to . She'd seen the movies , she'd listened to the radio - there was no television at that point , or very few people had television sets- so they depended entirely on her for feedback . Typical of Rosie's stories , when she was ...
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... turns his eyes away from : this is Stiva .... We cannot see the moral interest of literature unless we recognize gestures , manners , habits , turns of speech , turns of thought , styles of face as morally expressive - of an individual ...
... turns his eyes away from : this is Stiva .... We cannot see the moral interest of literature unless we recognize gestures , manners , habits , turns of speech , turns of thought , styles of face as morally expressive - of an individual ...
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College English Association. focus on our roles , we turn to all the logical places where we can find the education ... turning to specific narrative exemplars whose narrated lives invite us to identify with them . The ethical models ...
College English Association. focus on our roles , we turn to all the logical places where we can find the education ... turning to specific narrative exemplars whose narrated lives invite us to identify with them . The ethical models ...
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THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
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American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York