CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
De dentro do livro
Resultados 1-3 de 30
Página 38
... social - structural terms , but also as cultural and intellectual artefacts ” ( 7–8 ) . That is , of course , how they are represented in Shakespeare's plays , as artefactual fictions one might play . At the villainous margins of social ...
... social - structural terms , but also as cultural and intellectual artefacts ” ( 7–8 ) . That is , of course , how they are represented in Shakespeare's plays , as artefactual fictions one might play . At the villainous margins of social ...
Página 25
... social conditions they neither control nor under- stand , and the class into which Joseph Atkinson is born provides no key to his temperament or to the social standing he achieves . Indeed , from George Sherburn's work in the 1930s to ...
... social conditions they neither control nor under- stand , and the class into which Joseph Atkinson is born provides no key to his temperament or to the social standing he achieves . Indeed , from George Sherburn's work in the 1930s to ...
Página 30
... social emulation on the individual - the vitiation of sexual desire , the substitution of mistrust and calculation for candor and spontaneity , the isolation of the self from the community— marks a shift of focus from social conditions ...
... social emulation on the individual - the vitiation of sexual desire , the substitution of mistrust and calculation for candor and spontaneity , the isolation of the self from the community— marks a shift of focus from social conditions ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
Direitos autorais | |
16 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York