CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
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Página 19
... shows how those Cleopatra scenes might have been handled by a less artistic poet . Here's the stage direction : The dumb show . A Crocadile sitting on a rivers banke , and a little Snake stinging it . Then let both of them fall into the ...
... shows how those Cleopatra scenes might have been handled by a less artistic poet . Here's the stage direction : The dumb show . A Crocadile sitting on a rivers banke , and a little Snake stinging it . Then let both of them fall into the ...
Página 21
... show us what those roles look like and how to play them . If , when we are young , no one shows us models of thoughtfulness or reasonable- ness or self - control or generosity , we will settle for whatever models we can find and never ...
... show us what those roles look like and how to play them . If , when we are young , no one shows us models of thoughtfulness or reasonable- ness or self - control or generosity , we will settle for whatever models we can find and never ...
Página 43
... shows the fortunes of this self once it has grown up into vocational maturity and is attempting to cohere within the context of a family life that is nuclear and isolating . Characters in these tragedies show the destiny of the self ...
... shows the fortunes of this self once it has grown up into vocational maturity and is attempting to cohere within the context of a family life that is nuclear and isolating . Characters in these tragedies show the destiny of the self ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
Direitos autorais | |
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American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York