CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
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Página 19
... passion in the first scene of the Tempest , so in Antony and Cleopatra he epitomizes all the emotion of the loss at sea in the passion of the major character Enobarbus . To conclude , in Act 3 of Locrine , a play of around 1595 and ...
... passion in the first scene of the Tempest , so in Antony and Cleopatra he epitomizes all the emotion of the loss at sea in the passion of the major character Enobarbus . To conclude , in Act 3 of Locrine , a play of around 1595 and ...
Página 27
... passion for mere flesh . He is driven to the very brink of the thin boundary that divides opposite extremes within humanity , and then , in desperation , is compelled to pass beyond . The gossamer - thin film separating the passion of ...
... passion for mere flesh . He is driven to the very brink of the thin boundary that divides opposite extremes within humanity , and then , in desperation , is compelled to pass beyond . The gossamer - thin film separating the passion of ...
Página 43
... passion for Othello . As Iago and Roderigo stand by , salaciously commenting on Cassio's flirtatious reception of " Divine Desdemona , " Iago's considerable talents as dramatic improviser turn the moment significantly into voyeuristic ...
... passion for Othello . As Iago and Roderigo stand by , salaciously commenting on Cassio's flirtatious reception of " Divine Desdemona , " Iago's considerable talents as dramatic improviser turn the moment significantly into voyeuristic ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
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American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York