CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
De dentro do livro
Resultados 1-3 de 15
Página 76
... objects , animals , faces , and other forms often appear in Christodoulou's paintings , as if the artist held constantly in the back of his mind Emerson's memorable lines from " Merlin " ( Part 2 ) : Balance - loving Nature Made all ...
... objects , animals , faces , and other forms often appear in Christodoulou's paintings , as if the artist held constantly in the back of his mind Emerson's memorable lines from " Merlin " ( Part 2 ) : Balance - loving Nature Made all ...
Página 77
... objects Taji presents are his conceptions projected into a surreal materiality . I am not sure why Christodoulou does not see Ishmael in the same light . When I asked him , he said only that he has not yet finished his Moby - Dick ...
... objects Taji presents are his conceptions projected into a surreal materiality . I am not sure why Christodoulou does not see Ishmael in the same light . When I asked him , he said only that he has not yet finished his Moby - Dick ...
Página 12
... object gives us the same kind of physical mental picture of it as looking at the real object gives us . This research promises to be important in combating the view that , because literature exists only in words , it can never influence ...
... object gives us the same kind of physical mental picture of it as looking at the real object gives us . This research promises to be important in combating the view that , because literature exists only in words , it can never influence ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
Direitos autorais | |
16 outras seções não mostradas
Outras edições - Ver todos
Termos e frases comuns
American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York