CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
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Página 38
... material or social - structural terms , but also as cultural and intellectual artefacts ” ( 7–8 ) . That is , of course , how they are represented in Shakespeare's plays , as artefactual fictions one might play . At the villainous ...
... material or social - structural terms , but also as cultural and intellectual artefacts ” ( 7–8 ) . That is , of course , how they are represented in Shakespeare's plays , as artefactual fictions one might play . At the villainous ...
Página 31
... material of youth is not discoverable in the characters themselves . It is the narrator , in his treatment of pru ... materials of romance and the narrator's tendency to muddy social distinctions disclose a loss of faith in both a ...
... material of youth is not discoverable in the characters themselves . It is the narrator , in his treatment of pru ... materials of romance and the narrator's tendency to muddy social distinctions disclose a loss of faith in both a ...
Página 41
... materials ; creates fluids , solids , col- ors - anything , everything - out of the airy nothing which is called ... material goods and for novelty , but he fails to provide satisfactory means of confronting human suffering . In the ...
... materials ; creates fluids , solids , col- ors - anything , everything - out of the airy nothing which is called ... material goods and for novelty , but he fails to provide satisfactory means of confronting human suffering . In the ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
Direitos autorais | |
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American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York