CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
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Página 31
... final con- sumption of each by the other . Lawrence describes the final ecstasy of love as a form , either figurative or literal , of death ( “ Poe ” 72 ) . This final consumption is the most chilling part of Poe's tale . The narrator's ...
... final con- sumption of each by the other . Lawrence describes the final ecstasy of love as a form , either figurative or literal , of death ( “ Poe ” 72 ) . This final consumption is the most chilling part of Poe's tale . The narrator's ...
Página 21
... final fate of Cain or other immortals who were cursed to live through all the countless epochs yet to come . In 1934 , Alfred A. Knopf asked H. G. Wells to write a brief preface for a new collection of Wells's early science fiction ...
... final fate of Cain or other immortals who were cursed to live through all the countless epochs yet to come . In 1934 , Alfred A. Knopf asked H. G. Wells to write a brief preface for a new collection of Wells's early science fiction ...
Página 43
... final message of solipsism . In a tellingly abrupt and inconclusive final chapter , Satan suddenly informs the narrator that his visits must cease . Disappointed , the narrator anticipates a reunion in the afterlife , whereupon he is ...
... final message of solipsism . In a tellingly abrupt and inconclusive final chapter , Satan suddenly informs the narrator that his visits must cease . Disappointed , the narrator anticipates a reunion in the afterlife , whereupon he is ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
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American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York