CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
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Página 26
... ( death ) as a close companion to love survives a long history , emerging , perhaps most clearly , in medieval times . Peter Wagner ( Eros Revised ) notes a picture by sixteenth - century German artist Niklaus Manuel that portrays Death ...
... ( death ) as a close companion to love survives a long history , emerging , perhaps most clearly , in medieval times . Peter Wagner ( Eros Revised ) notes a picture by sixteenth - century German artist Niklaus Manuel that portrays Death ...
Página 27
... death itself . ( qtd . in Mills 280 ) Poe hides the " dangerous desires " in plain sight by relying on the reader's aversion to his or her own dark side . The reader chooses not to look into the dark and thus may fail to see Poe's theme ...
... death itself . ( qtd . in Mills 280 ) Poe hides the " dangerous desires " in plain sight by relying on the reader's aversion to his or her own dark side . The reader chooses not to look into the dark and thus may fail to see Poe's theme ...
Página 28
... death . This " finest imaginable wall " divides sensual ecstasy from physical death and yet inextricably links them as almost one . Both imply a loss of control , a giving up of one's self , an openness and vulnerability not allowable ...
... death . This " finest imaginable wall " divides sensual ecstasy from physical death and yet inextricably links them as almost one . Both imply a loss of control , a giving up of one's self , an openness and vulnerability not allowable ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
Direitos autorais | |
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American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York