CEA Critic, Volume 63Department of English, Texas A&M University, 2001 |
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Página 15
... course , this isn't the intention at all , because the set piece is mere convention . No one expects the reporter to have participated in the action , and probably no one ever associates Gertrude with the event as an actual spectator ...
... course , this isn't the intention at all , because the set piece is mere convention . No one expects the reporter to have participated in the action , and probably no one ever associates Gertrude with the event as an actual spectator ...
Página 52
... course of the poem , eventually expressing awe at the survivability of the great creature rather than satisfaction at its destruction . But like Melville's Ishmael , the speaker also displays the strain of her own logic and , ultimately ...
... course of the poem , eventually expressing awe at the survivability of the great creature rather than satisfaction at its destruction . But like Melville's Ishmael , the speaker also displays the strain of her own logic and , ultimately ...
Página 81
... course , I asked him about possible parallels between his enigmatic paintings and the work of other artists I had seen . For example , knowing of his general affection for Greek art and recalling that he had exhibited his works in the ...
... course , I asked him about possible parallels between his enigmatic paintings and the work of other artists I had seen . For example , knowing of his general affection for Greek art and recalling that he had exhibited his works in the ...
Conteúdo
THE | 1 |
Sea and Stage in Edward III | 14 |
Adrift in White Culture | 21 |
Direitos autorais | |
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American appear Association become begins behavior Bishop Bloom calls characters College commander complete consciousness continues course criticism cultural Das Boot death describes drink early effect English Equiano essay example existence experience fact fiction Fielding forces friends give human identity imagination important influence interest James John kind knowledge land less literary literature lives look Mark means Melville Melville's mind models moral mystery narrative narrator narrator's nature never novel ocean offer person play poem Pollard present profession professional Publications reader reference relation response says seems seen sense Shakespeare ship social Stegner Stephen story suggests teaching tells theory things thought Traveller turn understand University vocational West Western writing York