MacbethPenguin, 1967 - 200 Seiten In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
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Seite 12
... suggestion that one is superior in rank to the other . They are alike in dignity and in bravery ; the Witches salute both of them . The essential difference appears in response to the salute . ... why do you start , and seem to fear ...
... suggestion that one is superior in rank to the other . They are alike in dignity and in bravery ; the Witches salute both of them . The essential difference appears in response to the salute . ... why do you start , and seem to fear ...
Seite 13
... suggestion of the Witches ' starts ' Macbeth ( in more senses than one ) because it finds an answering image inside his own mind . ' Macbeth has al- ready contemplated the murder , ' say literal - minded critics . Whether or not this is ...
... suggestion of the Witches ' starts ' Macbeth ( in more senses than one ) because it finds an answering image inside his own mind . ' Macbeth has al- ready contemplated the murder , ' say literal - minded critics . Whether or not this is ...
Seite 15
... suggestion ' has tempted Macbeth into accepting , right through the smiling surface of the social scene ( to which she belongs ) , to translate the anaesthetized lack of will - to - good into a positive ( and fatal ) evil action ( 1.7 ...
... suggestion ' has tempted Macbeth into accepting , right through the smiling surface of the social scene ( to which she belongs ) , to translate the anaesthetized lack of will - to - good into a positive ( and fatal ) evil action ( 1.7 ...
Seite 43
... suggestion of love between the Witches and any human being is ludicrously unlike anything that we have been led to expect . Moreover the Witches here seem con- cerned ( self - consciously ) with entertainment , in a way utterly remote ...
... suggestion of love between the Witches and any human being is ludicrously unlike anything that we have been led to expect . Moreover the Witches here seem con- cerned ( self - consciously ) with entertainment , in a way utterly remote ...
Seite 61
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Häufige Begriffe und Wortgruppen
Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD
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