MacbethPenguin, 1967 - 200 Seiten In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play. |
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... referred to Macbeth as ' a most excellent play in all respects , especially in divertissement , though it be a deep tragedy ; which is a strange perfection in a tragedy , it being most proper here and suitable ' . What the discerning ...
... referred to Macbeth as ' a most excellent play in all respects , especially in divertissement , though it be a deep tragedy ; which is a strange perfection in a tragedy , it being most proper here and suitable ' . What the discerning ...
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... referred to directly in the Porter's ' Faith , here's an equivocator that could swear in both the scales against either scale , who committed treason enough for God's sake , yet could not equivocate to heaven ' ( II.3.8-11 ) ...
... referred to directly in the Porter's ' Faith , here's an equivocator that could swear in both the scales against either scale , who committed treason enough for God's sake , yet could not equivocate to heaven ' ( II.3.8-11 ) ...
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... referred to in the Folio Macbeth , rather than any particular set of words . Moreover , even if the full Middleton texts were used in the Jacobean performances of Macbeth , it does not follow that the words of Act III , scene 5 , or of ...
... referred to in the Folio Macbeth , rather than any particular set of words . Moreover , even if the full Middleton texts were used in the Jacobean performances of Macbeth , it does not follow that the words of Act III , scene 5 , or of ...
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Alarums Banquo Birnan Wood blood Cleanth Brooks daggers dare Davenant's dead death deed DOCTOR Donalbain Dunsinane E. M. W. Tillyard Edward the Confessor Enter Lady Macbeth Enter Macbeth equivocator evil Exeunt Exit Exit Ghost eyes face father fear feast Fleance Folio GENTLEWOMAN Ghost give Glamis grace green one red Hail hand hath heart heaven Hecat honour i'the instruments of darkness King of Scotland Knock Lady Macduff LENNOX look lord Macduff MALCOLM MENTETH MESSENGER mind mislineation moral MURDERER MACBETH nature night noble o'the Penguin Books play pray printed ROSS royal scene Scotland SECOND WITCH seems sense Servant Seyton Shake Shakespeare sleep song speak speech stage direction strange sword Thane of Cawdor thee There's thine things THIRD MURDERER THIRD WITCH thou thought three Witches throne traitor tyrant Weird Sisters wife word write to Penguin YOUNG SEYWARD
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