Do the Americas Have a Common Literature?Duke University Press, 1990 - 394 páginas This volume takes an important step toward the discovery of a common critical heritage that joins the diverse literatures of North America and Latin America. Traditionally, literary criticism has treated the literature of the Americas as "New World" literature, examining it in relation to its "Old World"--usually European--counterparts. This collection of essays redirects the Eurocentric focus of earlier scholarship and identifies a distinctive pan-American consciousness. The essays here place the literature of the Americas in a hemispheric context by drawing on approaches derived from various schools of contemporary critical thought--Marxism, feminism, culture studies, semiotics, reception aesthetics, and poststructuralism. As part of their search for a distinctly New World literary idiom, the contributors engage not only the major North American and Spanish American writers, but also such "marginal" or "minor" literatures as Chicano, African American, Brazilian, and Québecois. In identifying areas of agreement and confluence, this work lays the groundwork for finding historical, ideological, and cultural homogeneity in the imaginative writing of the Americas. Contributors. Lois Parkinson Zamora, David T. Haberly, José David Saldívar, Antonio Benítez-Rojo, José Piedra, Doris Sommer, Enrico Mario Santí, Eduardo González, John Irwin, Wendy B. Faris, René Prieto, Jonathan Monroe, Gustavo Pérez Firmat |
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Página 9
... interpretation history itself is the bearer and realizer of human prog- ress " ( 25 ) . In a critical discussion too well known to need reiteration here , Lukács makes us aware of the ways in which the basic generic conditions and ...
... interpretation history itself is the bearer and realizer of human prog- ress " ( 25 ) . In a critical discussion too well known to need reiteration here , Lukács makes us aware of the ways in which the basic generic conditions and ...
Página 21
... interpret the great roles of German opera to American audiences - in New York and Chicago and San Francisco . If Thea intuits the historical imperatives of her art in Dvorak's New World Symphony , she finds the strength to act upon them ...
... interpret the great roles of German opera to American audiences - in New York and Chicago and San Francisco . If Thea intuits the historical imperatives of her art in Dvorak's New World Symphony , she finds the strength to act upon them ...
Página 24
... interpreted by Lukács , Adorno , Benjamin , and Marcuse . III The U.S. tradition of historical idealism which I have just traced may seem to differ considerably from the vision of history impelling recent novelistic practice in Latin ...
... interpreted by Lukács , Adorno , Benjamin , and Marcuse . III The U.S. tradition of historical idealism which I have just traced may seem to differ considerably from the vision of history impelling recent novelistic practice in Latin ...
Página 25
... interpretations based on groups and classes as had always been done . . . ( 78 ) . Rama's focus is on the collective and empirical orientation of French positivism , but he does not entirely dismiss German historicism as an influence in ...
... interpretations based on groups and classes as had always been done . . . ( 78 ) . Rama's focus is on the collective and empirical orientation of French positivism , but he does not entirely dismiss German historicism as an influence in ...
Página 63
... interpretation unfold have been redefined in the American theoretical works of Fredric Jameson , Frank Lentricchia , Hayden White , and Edward Said . Each in his own way has questioned the very premises upon which the concepts of ...
... interpretation unfold have been redefined in the American theoretical works of Fredric Jameson , Frank Lentricchia , Hayden White , and Edward Said . Each in his own way has questioned the very premises upon which the concepts of ...
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analytic appears attempt Bear become begins Borges Borges's called Caribbean Cecilia Césaire character common Cooper course critical Cuban culture Death Derrida described detective discourse discussion doubling Dupin effect essay European example exist fact fiction figure final French hand idea important interpretation kind Lacan land language Latin American leave less Lezama literary literature logic machine means mind Minister mystery narrative narrator nature North novel object opposition original past perhaps play poem poet poetry political position possible present Purloined Letter question reader reading references relation represents rhetorical Sarmiento scene seems sense simply social Spanish story structure suggests tale thing third thought tradition translation turn University Whitman writing York
Passagens mais conhecidas
Página 183 - Adam was but human — this explains it all. He did not want the apple for the apple's sake, he wanted it only because it was forbidden. The mistake was in not forbidding the serpent ; then he would have eaten the serpent.
Página 211 - They consider only their own ideas of ingenuity; and in searching for anything hidden, advert only to the modes in which they would have hidden it. They are right in...
Página 131 - History, the mother of truth: the idea is astounding. Menard, a contemporary of William James, does not define history as an inquiry into reality but as its origin. Historical truth, for him, is not what has happened: it is what we judge to have happened.
Página 362 - JOHNSON has defined romance, in its primary sense, to be " a military fable of the middle ages ; a tale of wild adventures in love and chivalry.
Página 200 - The first is a glance that sees nothing: the King and the police. The second, a glance which sees that the first sees nothing and deludes itself as to the secrecy of what it hides; the Queen, then the Minister.
Página 213 - The fact is, the business is very simple indeed, and I make no doubt that we can manage it sufficiently well ourselves ; but then I thought Dupin would like to hear the details of it, because it is so excessively odd." "Simple and odd,
Página 130 - Cervantes' text and Menard's are verbally identical, but the second is almost infinitely richer.
Página 49 - ... not a whit better than it should be. Its chief merit is its scrupulous accuracy, which indeed was a little questioned, on its first appearance, but has since been completely established ; and it is now admitted into all historical collections, as a book of unquestionable authority.
Página 215 - I told him, quite good-humoredly, that I should remember. So, as I knew he would feel some curiosity in regard to the identity of the person who had outwitted him, I thought it a pity not to give him a clue.
Página 50 - RIP VAN WINKLE. A POSTHUMOUS WRITING OF DIEDRICH KNICKERBOCKER. By Woden, God of Saxons, From whence comes Wensday, that is Wodensday, Truth is a thing that ever I will keep Unto thylke day in which I creep into My sepulchre.