British Crime CinemaSteve Chibnall, Robert Murphy Psychology Press, 1999 - 251 páginas This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including: |
Conteúdo
releasing the British crime film into | 1 |
The censors and British gangland 19131990 16 | 16 |
Spin a dark web | 27 |
No Orchids for Miss Blandish | 37 |
masculinity in crisis in the British | 51 |
women and the postwar British crime film | 66 |
Stanley Baker | 81 |
interview with Donald Cammell | 110 |
Mike Hodges discusses Get Carter with the NFT audience | 117 |
A revengers tragedy Get Carter | 123 |
The Squeeze and the Sweeney films | 134 |
Space in the British crime film | 148 |
British gangster films of the 1980s | 160 |
crime and British cinema | 172 |
| 242 | |
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Termos e frases comuns
American Anthony Bank robbery BBFC black market Brighton Rock Britain British Cinema British crime film British film Carter Cinema and Television City club corruption crime film Crime interest company criminal critical culture David Diana Dors Director Production Screenwriter Donald Drug film noir film's Fugitive gang gangland gangster film genre George Girl Harry Hollywood interest company Story Jack James Jewel theft John Gilling Ken Hughes killing Leading players Crime Linden Travers London Long Good Friday male masculinity Merton Park Michael middle-class Mike Hodges Miss Blandish Montfort University moral movie murder Murphy narrative Night novel Orchids for Miss organised Peter play players Crime interest police post-war Production Screenwriter Leading prostitution racketeering realism Regan Research Group archive Richard Robert role scene Screenwriter Screenwriter Leading players sexual smuggling social space spiv Stanley Baker Stormy Monday Sweeney Television Research Group Title Year¹ Tommy tough underworld underworld films villains violence war-time William women working-class