Tolkien and Shakespeare: Essays on Shared Themes and LanguageJanet Brennan Croft, Donald E. Palumbo, C.W. Sullivan III McFarland, 22 de mar. de 2007 - 336 páginas Tolkien and Shakespeare: one a prolific popular dramatist and poet of the Elizabethan era, the other a twentieth-century scholar of Old English and author of a considerably smaller body of work. Though unquestionably very different writers, the two have more in common than one might expect. These essays focus on the broad themes and motifs which concerned both authors. They seek to uncover Shakespeare's influence on Tolkien through echoes of the playwright's themes and even word choices, discovering how Tolkien used, revised, updated, "corrected," and otherwise held an ongoing dialogue with Shakespeare's works. The depiction of Elves and the world of Faerie, and how humans interact with them, are some of the most obvious points of comparison and difference for the two writers. Both Tolkien and Shakespeare deeply explored the uses and abuses of power with princes, politics, war, and the lessons of history. Magic and prophecy were also of great concern to both authors, and the works of both are full of encounters with the Other: masks and disguises, mirrors that hide and reveal, or seeing stones that show only part of the truth. |
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Tolkien and Shakespeare: essays on shared themes and language
Comentário do usuário - Not Available - Book VerdictThis book of essays edited by Croft (Univ. of Oklahoma Libs., Norman) aims to explore "how Tolkien used, revised, updated, 'corrected,' and otherwise held an ongoing dialogue with Shakespeare's works ... Ler resenha completa
Conteúdo
The Elves of Shakespeare and Tolkien | 9 |
The Shakespearean Misconception and the Tolkienian Ideal of Faerie | 25 |
Whats at the Bottom of The Lord of the Rings and A Midsummer Nights Dream? | 42 |
Titania Galadriel and the Fairy Queen of Medieval Romance | 60 |
POWER | 79 |
War and Glory in Henry V and The Lord of the Rings | 81 |
Echoes of Hamlet in JRR Tolkiens The Lord of the Rings | 91 |
Aragorns Debt to Shakespeare | 110 |
The Ethics of Magic in Shakespeare and Tolkien | 177 |
Corrosive Uses of Power in Shakespeare and Tolkien | 196 |
Motifs from Macbeth in JRR Tolkiens The Lord of the Rings | 215 |
THE OTHER | 227 |
Strategizing Unconventionality in Shakespeares and Tolkiens Portraits of Women | 229 |
Racial Identity Confronting the Other and Miscegenation in Othello and The Lord of the Rings | 251 |
Tolkiens Atani and Shakespeares Men | 267 |
Evolution and Design | 281 |
Shakespeare Tolkien and the Conception of History | 128 |
The Influence of King Lear on Lord of the Rings | 137 |
Shakespearean Catharsis in the Fiction of JRR Tolkien | 158 |
MAGIC | 175 |
Gollum and Othello | 294 |
About the Contributors | 313 |
317 | |
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Tolkien and Shakespeare: Essays on Shared Themes and Language Janet Brennan Croft,Donald E. Palumbo,C.W. Sullivan III Visualização de trechos - 2007 |
Termos e frases comuns
Aragorn Ariel audience authors battle become Bilbo Boromir Boston Bottom C.S. Lewis Caliban carnival catharsis Celtic character conflict creatures critical culture dark death define Denethor Desdemona di›erent di‡cult disguise Dwarves e›ect echoes Elves England English Éowyn epic Erceldoune essay evil Faërie Fairy Queen Fairy-Stories fantasy Faramir father Fëanor fear fight figure final finally find fire first Frodo fulfill Galadriel Gandalf Gollum Gondor Hal’s Hamlet Henry hero Hobbit Houghton human Iago influence J.R.R. Tolkien Lear’s Letters literature Lord Lothlórien LotR Macbeth magic medieval Merlin Middle-earth Midsummer Night’s Dream modern Mordor mythology Nazgûl Númenor o›ers Oberon Olivia Orcs Othello Pippin prince prophecy Prospero Puck readers reflects Renaissance Richard Ring role romance Saruman Sauron says Shake Shakespeare and Tolkien Shakespeare’s plays Shippey Shire Silmarillion Sméagol speare’s specific story Strider su›ering Tempest Théoden Thorin throne tion Titania traditional tragedy Valar witches wizard woman women writing York