The Worlds of Art and the World

acquire actual world Aesthetics apply argued arguments artist assertions baroque music character claim concept context conventions course criteria critics discussion distinction distinguish Ecphonesis emotional empathic beliefs example exist explain expressive fact factual beliefs fantasy fictional creatures fictional entities fictional world film human Ibid illocutionary acts imaginary imagine improvisation instance intentional interest Joseph Margolis kind knowledge language learn from fiction linguistic logic meaning Monroe Beardsley object ontological P.F. Strawson painting particular performance Periphrasis Peter Kivy philosophy of dance photograph pictorial Platonism possible practice predicates problem program music properties proposed interpretation propositional propositional knowledge question Quintilian readers reality reason reference relation relevant represent representation rhetorical ricercare Roger Scruton rules score Searle Searle's semantic sense sentences Sherlock Holmes simply situation sort speak story Strawson suggest suppose theory thesis things tion token Tristan chord types of interpretations understand values W.V. Quine Wolterstorff words