Phoenix, Ausgaben 21-24English Literature Society, Korea University., 1979 |
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Ergebnisse 1-3 von 52
Seite 8
... kind of dis- continuity . Compare the scene in which Henchard sees the effigy in the water with the equally ... kind of work of art , a kind to which he felt strongly drawn , saw both what he must take from Hardy and what he must avoid ...
... kind of dis- continuity . Compare the scene in which Henchard sees the effigy in the water with the equally ... kind of work of art , a kind to which he felt strongly drawn , saw both what he must take from Hardy and what he must avoid ...
Seite 89
... kind of second ego . . . " 83 ) In other words , Spilka gives the impression that the " ritual form " arises from the correspondence of the fictional situation to certain " rites of passage " among primitive peoples that anth ...
... kind of second ego . . . " 83 ) In other words , Spilka gives the impression that the " ritual form " arises from the correspondence of the fictional situation to certain " rites of passage " among primitive peoples that anth ...
Seite 114
... kind to the female in her , which no man had ever been . Men were kind to the person she was , but rather cruel to the female , despising her or ignoring her altogether . Men were awfully kind to Constance Reid or to Lady Chatterley ...
... kind to the female in her , which no man had ever been . Men were kind to the person she was , but rather cruel to the female , despising her or ignoring her altogether . Men were awfully kind to Constance Reid or to Lady Chatterley ...