Scales for Jazz Improvisation: A Practice Method for All InstrumentsAlfred Music Publishing, 1975 - 50 páginas " ... Present[s] ... the scales which are used in improvisation ... shows the scales in treble and bass clef in all keys [and] is intended as a practice manual ... an aid to eventually memorizing the scales in all keys ... explanations are included as to the application of each scale form to one or more chord types. [Has] charts showing the relationship of certain scales to each other ..."--Introduction |
Conteúdo
INTRODUCTION GENERAL NOTES | 4 |
SECTION IIMODES GENERATED BY THE ASCENDING MELODIC MINOR SCALE | 21 |
SECTION IIISYMMETRICAL ALTERED SCALES | 32 |
MISCELLANEOUS SCALES | 41 |
GUIDE TO SCALE CHOICE | 50 |
Outras edições - Ver todos
Scales for Jazz Improvisation: A Practice Method for All Instruments Dan Haerle Visualização parcial - 1999 |
Scales for Jazz Improvisation: A Practice Method for All Instruments Dan Haerle Prévia não disponível - 1975 |
Termos e frases comuns
2nd scale step 5th present 7th scale steps Aeolian scale altered 9th Appropriate Scale Form ASCENDING MELODIC MINOR b7 scale Blues scale Chromatic scale Db C# dissonant clash dominant chord dominant family chords Dorian Eb Eb emphasized without fear GUIDE TO SCALE Half Step-Whole Step half steps occur half-diminished chord HARMONIC MINOR SCALE harmony key signature Locrian mode lowered 5th Lydian scale Lydian-Augmented scale major 7th major family chords major scale located melodic minor scale minor 7th chord minor chord minor family Minor Major Minor Pentatonic scale minor scale built Mixolydian mode Mixolydian scale occur between steps patterns which move Phrygian scale pure minor scale resolve downward scale bearing scale is capable scale is constructed scale tones scale with lowered Stan Kenton STEP DIMINISHED SCALE Step-Half Step Diminished Step-Whole Step Diminished Super Locrian scale tendency to resolve unaltered 9th Whole Step-Half Step whole steps Whole Tone scale вь مه